Physical description
Sepia photograph, mounted on green card, of two young women in 18th century costume.
5 Princes Gardens, interior: first floor, front: left window: screen: floor-boards: Clementina (right profile), in fancy dress (breeches), eyes closed, seated on folded mattress on floor, left hand fingering brim of Isabella Grace's hat and right hand holding tricorn hat on Isabella Grace's lap, and Isabella Grace, in fancy dress (eighteenth-century shepherdess style), eyes closed, seated, arms folded across waist. Reflection of her left side in window. Visible through window: balustrade; houses east side of Princes Gardens.
Place of Origin
South Kensington, England (photographed)
Date
ca. 1863-1864 (photographed)
Artist/maker
Clementina, Lady Hawarden, born 1822 - died 1865 (photographer)
Materials and Techniques
Albumen print from wet collodion negative
Dimensions
Height: 23.8 cm, Width: 27.3 cm
Historical context note
From departmental notes
'Clementina, Lady HawardenUntitled) Photographic Study (or) Study from Life (D.724) c. 1863-c.1864 5 Princes Gardens, interior: first floor, front: left window: screen: floor-boards: Clementina (right profile), in fancy dress (breeches), eyes closed, seated on folded mattress on floor, left hand fingering brim of Isabella Grace's hat and right hand holding tricorn hat on Isabella Grace's lap, and Isabella Grace, in fancy dress (eighteenth-century shepherdess style), eyes closed, seated, arms folded across waist. Reflection of her left side in window. Visible through window: balustrade; houses east side of Princes Gardens. Inscription (verso): No 150; Inscription (verso of mount): (X614-)150 238 x 273 mmPH 356-1947 Series 145 Literature: Microfilm: 3.18.102; V&A Picture Library negative no. HG 210. Windows, Fox Talbot Museum, 1985; Masterpieces, Victoria and Albert Museum, 1986. Whether or not the participants were aware of it, some of Lady Hawarden's photographs reverberate with romantic, even sexual, feeling. Such are the models' powers of persuasion that it seems not to matter that this eighteenth-century tableau is set, not on a mossy rock in a wooded glade, but on a rolled-up mattress on a bare wooden floor. The elegant line of Clementina's legs, revealed by her Cherubino-like kneebreeches, thrusts her toward Isabella Grace. Foiled by her crossed arms, the lover does not enfold the beloved. Rather, in a gesture epitomizing the scene's pervasive delicacy, Clementina merely fingers the brim of Isabella Grace's hat. A shadow hangs over the pair, though it serves to draw them closer.'
Descriptive line
Lady Hawarden, 'Clementina and Isabella Grace Maude, 5 Princes Gardens', photograph.
Bibliographic References (Citation, Note/Abstract, NAL no)
Female Trouble. Die Kamera als Spiegel und Bühne weiblicher Inszenierungen Munich: Pinakothek der Moderne, 2008. ISBN: 978-3-7757-2203-2.
Exhibition catalogue
Literature: Microfilm: 3.18.102; V&A Picture Library negative no. HG 210.
Exhibition History
Female Trouble. Die Kamera als Spiegel und Bühne weiblicher Inszenierungen (Pinakothek der Moderne, Munich 18/07/2008-30/09/2008)
Labels and date
Label for 'Making It Up: Photographic Fictions' (3 May 2013 - 12 January 2014):
Clementina, Lady Hawarden (1822–65)
Studies from Life or Photographic Studies
About 1864
Lady Hawarden made many staged tableaux using her two eldest daughters as models. Here they portray scenes of courtship. They enact the intimacy of lovers while also evoking the emotional closeness between mother and daughter, and between sisters. The photographs were torn from albums, and since they have no captions, the narrative is left to the viewer’s imagination.
Albumen prints
Given by Lady Clementina Tottenham
Museum nos. Ph.274-1947, 358-1947, 356-1947, 271-1947
Production Note
Reason For Production: Exhibition
Reason For Production: Retail
Materials
Photograph
Techniques
Albumen process
Subjects depicted
Clothing; South Kensington; Maude, Clementina; Maude, Isabella Grace
Categories
Portraits; Interiors; Photographs
Production Type
Unlimited edition
Collection code
PDP