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Bridge Cottage, Flatford

Watercolour
12/11/1832 (painted)
Artist/Maker
Place of origin

This particular cottage was one of Constable's favourites. He shows it in a number of his drawings. Some of the pen marks are similar to those in his early drawings of cottages. The use of watercolour washes adds tone and gives solidity to the forms, however. Constable dated this drawing 12 November 1832. It comes from a sketchbook that he first used in 1831.


Object details

Categories
Object type
TitleBridge Cottage, Flatford (popular title)
Materials and techniques
Pen and bistre ink, and watercolour
Brief description
John Constable, Bridge Cottage, Flatford, 1832, Reynolds cat. no. 346
Physical description
Drawing of Bridge Cottage.
Dimensions
  • Height: 115mm
  • Width: 191mm
Style
Marks and inscriptions
  • '12 Nov 1832' (Inscribed below on left in ink by the artist.)
  • '1832' (Inscribed in pencil at the top right (probably with 12 Nov, but only the 1832 is legible.')
  • 'EB--Monday Nov 12 1832' (Inscribed on the back in pencil, probably by the artist.)
  • '25' (Serial number inscribed in pencil on the back.)
Credit line
Bequeathed by Isabel Constable, daughter of the artist
Historical context
'In 1832 Constable exhibited at the Royal Academy four oil paintings and four drawings. The oil paintings included 'Waterloo Bridge, from Whitehall Stairs, June 18th, 1817' (formerly in the collection of Mr. Harry H. Ferguson; see Nos. 173-175 [290-1888, 322-1888, 604-1888] in this Catalogue); 'A Romantic House, Hampstead' (probably National Gallery No. 1246) and 'Sir Richard Steele's Cottage, Hampstead' (now in the collection of Sir Kenneth Clark). The drawings included one of 'Jaques and the Wounded Stag' (see No. 407 [795-1888] in this Catalogue). Archdeacon John Fisher died on 25 August.'

[G Reynolds, 1973, p. 204]
Subject depicted
Summary
This particular cottage was one of Constable's favourites. He shows it in a number of his drawings. Some of the pen marks are similar to those in his early drawings of cottages. The use of watercolour washes adds tone and gives solidity to the forms, however. Constable dated this drawing 12 November 1832. It comes from a sketchbook that he first used in 1831.
Bibliographic reference
Catalogue of the Constable Collection, Graham Reynolds, Victoria and Albert Museum, London: HMSO, 1973, pp. 204, 208-210
Other number
346, plate 250 - Reynolds catalogue no.
Collection
Accession number
229-1888

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Record createdFebruary 20, 2004
Record URL
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