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Bacchante

Bust
1786 (dated)
Artist/Maker
Place of origin

Although terracottas were originally intended as an intermediate stage in making sculpture, they were also prized and collected as works of art. By the 1760s undecorated terracotta had become fashionable, especially in France. It was used to produce a variety of sculptural work, including decorative domestic pieces. This charming head with its virtuoso approach to modelling is exactly the type of object that was displayed in fashionable interiors. The high degree of finish and finely rendered detail are matched by the technical expertise needed to ensure a successful firing at a high temperature.

Object details

Category
Object type
TitleBacchante (generic title)
Materials and techniques
Terracotta, made from modelled clay
Brief description
A Bacchante, bust in terracotta by Joseph-Charles Marin, France, signed and dated 1786
Physical description
A Bacchante, bust in terracotta. The head looks upward and the hair is crowned with vine-leaves. Signed 'Marin. 1786'.
Dimensions
  • Height: 29.5cm
Marks and inscriptions
'Marin. 1786' (Signed)
Credit line
Bequeathed by John Jones
Subjects depicted
Summary
Although terracottas were originally intended as an intermediate stage in making sculpture, they were also prized and collected as works of art. By the 1760s undecorated terracotta had become fashionable, especially in France. It was used to produce a variety of sculptural work, including decorative domestic pieces. This charming head with its virtuoso approach to modelling is exactly the type of object that was displayed in fashionable interiors. The high degree of finish and finely rendered detail are matched by the technical expertise needed to ensure a successful firing at a high temperature.
Bibliographic references
  • List of Objects in the Art Division, South Kensington Museum acquired during the Year 1882. London: Eyre and Spottiswoode, 1883. pp. 80
  • Catalogue of the Jones Bequest. 1924.
  • Poulet, A ed. Clodion Terracottas in North American Collections. New York: Frick Collection, 1984, pp.15, cat. no. 8B
  • Radcliffe, A, Baker, M, Maek-Gérard. The Thyssen-Bornemisza Collection: Renaissance and Later Sculpture. London, 1992. pp.282
  • Levey, M. Painting and Sculpture in France 1700-1789. New Haven, 1993. fig. 245
  • c.f Clodion, Paris: Musée du Louvre, 1992. pp.405
Collection
Accession number
890-1882

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Record createdFebruary 20, 2004
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