Nude Woman on Rocks
Figure
1900-1920 (made)
1900-1920 (made)
Artist/Maker | |
Place of origin |
This figure is an excellent example of the type of work produced by the Tokyo Fine Arts School which was founded in 1887 and produced works in both traditional Japanese and European neo-Classical styles. The Metal Casting Department was established in 1892 within the arts and crafts department at the Tokyo Fine Arts School. Japanese bronze casting techniques were enhanced by the introduction of western technology brought in by the Italian bronze sculptor Vincenzo Ragusa who was employed by the Tokyo Art School from 1876-1882.
In 1907 the government instituted and sponsored the ‘Bunten’ painting and sculpture competition and the work of western-style sculptors began to be officially recognised. A group of artists began to develop away from the more academic style of European sculpture towards the romantic realism of Rodin. Many Japanese artists travelled to Europe to study first hand at the ateliers of Western artists and Fujikawa Yuzō (1883-1935) studied under Rodin for a period.
Naturalistic human figures in bronze were rare in Japan prior to the 19th century although portrait figures in wood (and occasionally bronze) were produced from around the 9th century. However, the idea of a sculpture of the naked female form as art object would have been totally alien to the Japanese prior to the Meiji period (1868-1912). The sculpture has the chiselled signature of ‘Hiroaki’ and a cast monogram of an intersected ‘N’ and ‘I’ which may be the foundry mark. Neither have yet been positively identified and it is even conceivable that a Japanese artist could have made the piece in Europe. A scrap of Japanese newspaper with a date of 1915 was found inside the base of the sculpture so we do know that the piece has spent at least some time in Japan.
In 1907 the government instituted and sponsored the ‘Bunten’ painting and sculpture competition and the work of western-style sculptors began to be officially recognised. A group of artists began to develop away from the more academic style of European sculpture towards the romantic realism of Rodin. Many Japanese artists travelled to Europe to study first hand at the ateliers of Western artists and Fujikawa Yuzō (1883-1935) studied under Rodin for a period.
Naturalistic human figures in bronze were rare in Japan prior to the 19th century although portrait figures in wood (and occasionally bronze) were produced from around the 9th century. However, the idea of a sculpture of the naked female form as art object would have been totally alien to the Japanese prior to the Meiji period (1868-1912). The sculpture has the chiselled signature of ‘Hiroaki’ and a cast monogram of an intersected ‘N’ and ‘I’ which may be the foundry mark. Neither have yet been positively identified and it is even conceivable that a Japanese artist could have made the piece in Europe. A scrap of Japanese newspaper with a date of 1915 was found inside the base of the sculpture so we do know that the piece has spent at least some time in Japan.
Object details
Categories | |
Object type | |
Title | Nude Woman on Rocks (generic title) |
Materials and techniques | Patinated bronze |
Brief description | Figure of a standing nude female, patinated bronze, signed 'Hiroaki' and marked 'NI', Tokyo, Japan, 1900-10. |
Physical description | Japanese patinated bronze figure of a standing nude female on a rock washing the upper part of her body. |
Dimensions |
|
Style | |
Marks and inscriptions |
|
Gallery label | Figure of a nude
1900–10
The Metal Casting Department was established in 1892 within the arts and crafts department at the Tokyo Fine Arts School. The sculptures produced by its students were inspired both by traditional Japanese styles and by western Neoclassicism. Knowledge of European art was introduced by foreign teachers employed by the Meiji government. Naturalistic human sculptures were rare in Japan, and the representation of the naked female form would have been a very alien concept.
Signed ‘Hiroaki’ with a monogram ‘NI’
Tokyo
Bronze
Museum no. FE.1853-1993
(04/11/2015) |
Summary | This figure is an excellent example of the type of work produced by the Tokyo Fine Arts School which was founded in 1887 and produced works in both traditional Japanese and European neo-Classical styles. The Metal Casting Department was established in 1892 within the arts and crafts department at the Tokyo Fine Arts School. Japanese bronze casting techniques were enhanced by the introduction of western technology brought in by the Italian bronze sculptor Vincenzo Ragusa who was employed by the Tokyo Art School from 1876-1882. In 1907 the government instituted and sponsored the ‘Bunten’ painting and sculpture competition and the work of western-style sculptors began to be officially recognised. A group of artists began to develop away from the more academic style of European sculpture towards the romantic realism of Rodin. Many Japanese artists travelled to Europe to study first hand at the ateliers of Western artists and Fujikawa Yuzō (1883-1935) studied under Rodin for a period. Naturalistic human figures in bronze were rare in Japan prior to the 19th century although portrait figures in wood (and occasionally bronze) were produced from around the 9th century. However, the idea of a sculpture of the naked female form as art object would have been totally alien to the Japanese prior to the Meiji period (1868-1912). The sculpture has the chiselled signature of ‘Hiroaki’ and a cast monogram of an intersected ‘N’ and ‘I’ which may be the foundry mark. Neither have yet been positively identified and it is even conceivable that a Japanese artist could have made the piece in Europe. A scrap of Japanese newspaper with a date of 1915 was found inside the base of the sculpture so we do know that the piece has spent at least some time in Japan. |
Collection | |
Accession number | FE.1853-1993 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | February 17, 2004 |
Record URL |
Download as: JSONIIIF Manifest