Not currently on display at the V&A

Bust of Leonello, Marquess of Este

Medal
ca. 1450 (made)
Artist/Maker
Place of origin

This is a bronze medal made by Pisanello of Verona in Italy, about 1450. The obverse of this medal represents Leonello, the Marquess of Este and the reverse shows two naked men holding baskets of fruit on their shoulders.

Pisanello (Antonio Pisano) (b.ca. 1395; d. 1455) who was born in Pisa or Verona, by 1395 was an Italian painter, draughtsman and medallist. His richly decorative frescoes, courtly and elegantly painted portraits and highly original portrait medals made him one of the most popular artists of the day. He travelled extensively and worked for several Italian courts, at Mantua, Ferrara, Pavia, Milan and Naples. Many of his paintings have been lost or damaged, making a reconstruction of his career difficult. He is now better known as a medallist.

Two-sided Renaissance portrait medals were a form developed by Pisanello, and commemorated individuals or events and functioned as gifts and mementoes. They were inspired by the Roman coins, with their portraits of rulers and allegorical representations on the reverse, excavated all over Italy and eagerly collected by humanist scholars.


Object details

Categories
Object type
TitleBust of Leonello, Marquess of Este (generic title)
Materials and techniques
Bronze
Brief description
Medal, bronze, depicting bust of Leonello, Marquess of Este, by Pisanello, Italian, ca.1450
Dimensions
  • Diameter: 6.98cm
Object history
Bought from the Soulages Collections in 1865 for £3.
Subjects depicted
Summary
This is a bronze medal made by Pisanello of Verona in Italy, about 1450. The obverse of this medal represents Leonello, the Marquess of Este and the reverse shows two naked men holding baskets of fruit on their shoulders.

Pisanello (Antonio Pisano) (b.ca. 1395; d. 1455) who was born in Pisa or Verona, by 1395 was an Italian painter, draughtsman and medallist. His richly decorative frescoes, courtly and elegantly painted portraits and highly original portrait medals made him one of the most popular artists of the day. He travelled extensively and worked for several Italian courts, at Mantua, Ferrara, Pavia, Milan and Naples. Many of his paintings have been lost or damaged, making a reconstruction of his career difficult. He is now better known as a medallist.

Two-sided Renaissance portrait medals were a form developed by Pisanello, and commemorated individuals or events and functioned as gifts and mementoes. They were inspired by the Roman coins, with their portraits of rulers and allegorical representations on the reverse, excavated all over Italy and eagerly collected by humanist scholars.
Bibliographic references
  • Robinson, John Charles. Catalogue of the Soulages Collection. London: Chapman & Hall, 1856, p. 143
  • Inventory of Art Objects acquired in the Year 1865. Inventory of the Objects in the Art Division of the Museum at South Kensington, arranged According to the Dates of their Acquisition. Vol. 1. London : Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 38
  • Syson, Luke and Gordon, Dillian.Pisanello: Painter to the Renaissance Court, London : National Gallery Co., 2001 11
Collection
Accession number
678-1865

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Record createdFebruary 16, 2004
Record URL
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