Painted and gilt stucco mirror frame in the form of the "Medici Ring", made in the style of Antonio Pollaioulo, Florence, ca. 1460 - ca. 1465

Circular relief, contained in a gilt wood frame in the form of the Medici ring, The figurated area occupies a wide circular strip in the interior of the ring, surrounding a vacant circular space with raised frame for the mirror. The lower part of the background consists of a landscape of grey-green rocks, the upper part of which is bisected by the mirror frame. Above is an area of dark blue sky. At the top three putti, that in the centre standing on the rocks, the other two on the mirror frame, support a shield (charge effaced). To the left of these figures a putto rides a goose, and to the right are two further putti, one of whom leads and the other of whom rides a dragon. At the base are reclining figures of (left) Venus crowned with a garland by a putto standing behind her and attended by two other putti, and (right) the sleeping Mars with an attendant putto who also holds the mirror frame. Both Venus and Mars represented nude. The figures throughout are painted naturalistically, and have gilded hair. Some of the putti wear painted scarlet, crimson and dark blue necklaces. There are extensive remains of gilding in the wings and hair of the putti, and traces of gilding appear on the goose and the dragon. The back of the mirror is painted to imitate porphyry.

Purchased in Florence.
The frame appears to have been a Medici commission as it takes the form of a ring used as an insignia by several members of the family. The figure of the Mars is adapted from a classical sarcophagus of Endymion, who was condemned to sleep forever by Jupiter in return for perpetual youth.

This mirror frame in the form of the Medici ring is executed in the style of Antonio Pollaiuolo (1431/2 - 1498), made in Florence in ca. 1460-1465.

The frame takes the form of a ring set with a diamond, an insignia used by Piero de' Medici and later members of the family. At the base is Venus (left) and the Sleeping Mars (right). The figure of Mars is adapted from a classical sarcophagus of Endymion, who in rerun for perpetual youth was condemned to sleep forever.

5887-1859