Akbar
Painting
ca. 1590-95 (made)
ca. 1590-95 (made)
Artist/Maker | |
Place of origin |
This illustration by the Mughal court artists Basawan and Tara the Elder to the Akbarnama (Book of Akbar) depicts the Mughal emperor Akbar (r.1556–1605) slaying a tiger near Narwar, central India, in 1561. The royal entourage disturbed a female tiger, who sprang out from the forest and lashed out to protect her five cubs. The emperor’s companions were said to have frozen in terror, but the emperor reacted instantly, killing the tigress with one blow of his sword. His men then killed the five offspring. The event is depicted over two pages, the other page being Museum no. IS 2:18-1896. The image is overlaid by a Persian text panel.
The Akbarnama was commissioned by Akbar as the official chronicle of his reign. It was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir, from whom it was inherited by Shah Jahan.
The V&A purchased the manuscript in 1896 from Frances Clarke, the widow of Major General John Clarke, who bought it in India while serving as Commissioner of Oudh between 1858 and 1862.
The Akbarnama was commissioned by Akbar as the official chronicle of his reign. It was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir, from whom it was inherited by Shah Jahan.
The V&A purchased the manuscript in 1896 from Frances Clarke, the widow of Major General John Clarke, who bought it in India while serving as Commissioner of Oudh between 1858 and 1862.
Object details
Categories | |
Object type | |
Title | Akbar (generic title) |
Materials and techniques | Painted in opaque watercolour and gold on paper |
Brief description | Painting, Akbarnama, Akbar tiger-hunting near Narwar, outline and portraits by Basawan, painting Tara the Elder, opaque watercolour and gold on paper, Mughal, ca. 1590-95 |
Physical description | Painting, in opaque watercolour and gold on paper, this is the right side of a double composition, and depicts Akbar slaying a tiger near Narwar, Gwalior in 1561. The action takes place in the clearing of a hilly wooded landscape with several other men joining the hunt. The image is overlaid by a panel of Persian text (four lines) on the left-hand side of the page. |
Dimensions |
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Content description | Akbar slaying a tiger near Narwar, Gwalior in 1561. The action takes place in the clearing of a hilly wooded landscape with several other men joining the hunt. |
Styles | |
Marks and inscriptions | (Contemporary librarian's attributions in Persian, in red ink in the margin below the painting.)
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Credit line | Purchased from Mrs. Clarke, The Dingle, Sydenham Hill, S. E |
Object history | The Akbarnama, or "Book of Akbar", was commissioned by the emperor Akbar as the official chronicle of his reign. It was written by 1590 and 1596 and is thought to have been illustrated between ca. 1592 and 1594 by at least forty-nine different artists from Akbar's studio. After Akbar's death in 1605, the manuscript remained in the library of his son, Jahangir (r.1605-1627) and later Shah Jahan (r.1628-1658). The Victoria and Albert Museum purchased it in 1896 from Mrs. Frances Clarke, the widow of Major General John Clarke, an official who had been the Commissioner in Oudh province between 1858 and 1862. Historical significance: It is thought to be the first illustrated copy of the Akbarnama. It drew upon the expertise of some of the best royal painters of the time, many of whom receive special mention by Abu'l Fazl in the A'in-i-Akbari, the third volume of the Akbarnama. The inscriptions in red ink on the bottom of the paintings refer to the artists and indicate that this was a royal copy. Purchased from Mrs. Clarke, The Dingle, Sydenham Hill, S. E. This acquisition information reflects that found in the Museum records (Asia Department registers and/or Central Inventory) as part of a 2023 provenance research project. Registered Papers: 85488/95 |
Production | Outline picture and portraits painted by Basawan, colours and details painted by Tara the Elder. Attribution place is likely to be Delhi, Agra or Fatehpur Sikri. |
Subjects depicted | |
Place depicted | |
Association | |
Literary reference | Akbarnama |
Summary | This illustration by the Mughal court artists Basawan and Tara the Elder to the Akbarnama (Book of Akbar) depicts the Mughal emperor Akbar (r.1556–1605) slaying a tiger near Narwar, central India, in 1561. The royal entourage disturbed a female tiger, who sprang out from the forest and lashed out to protect her five cubs. The emperor’s companions were said to have frozen in terror, but the emperor reacted instantly, killing the tigress with one blow of his sword. His men then killed the five offspring. The event is depicted over two pages, the other page being Museum no. IS 2:18-1896. The image is overlaid by a Persian text panel. The Akbarnama was commissioned by Akbar as the official chronicle of his reign. It was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir, from whom it was inherited by Shah Jahan. The V&A purchased the manuscript in 1896 from Frances Clarke, the widow of Major General John Clarke, who bought it in India while serving as Commissioner of Oudh between 1858 and 1862. |
Associated object | |
Bibliographic references |
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Other number | 97 - Inscription/original number |
Collection | |
Accession number | IS.2:17-1896 |
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Record created | October 9, 1998 |
Record URL |
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