David Bailey's box of pin-ups
Photograph
1965 (printed and published)
1965 (printed and published)
| Artist/Maker | |
| Place of origin |
David Bailey rose to fame as a fashion photographer in the early 1960s, his photographs. He published 'David Bailey's box of pin-ups' in 1965 as a loose portfolio of 36 portraits of the mainly-male fashionable elite that, as the cover description states, 'belong to Bailey's own world of fashion, pop music and the Ad Lib [nightclub]'. Each portrait is accompanied by notes by Francis Wyndham. Together, they constitute a celebration of the growing celebrity culture of the Sixties, and many of them have become the definitive images of key figures of cultural life in London during the Swinging Sixties.
Surprisingly, only four of the pin-ups are women, all of whom are models; as the notes explain, 'in the age of Mick Jagger, it is the boys who are the pin-ups'. The inclusion of the notorious criminals the Kray brothers in this Box, where they rubbed shoulders with the husband of a princess, caused a stir when it was published.
Surprisingly, only four of the pin-ups are women, all of whom are models; as the notes explain, 'in the age of Mick Jagger, it is the boys who are the pin-ups'. The inclusion of the notorious criminals the Kray brothers in this Box, where they rubbed shoulders with the husband of a princess, caused a stir when it was published.
Object details
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| Titles |
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| Materials and techniques | Half-tone print |
| Brief description | The Kray Brothers: Reg Charlie Ron, half-tone print from 'David Bailey's box of pin-ups', by David Bailey, published 1965 |
| Physical description | Black and white group portrait the East End gangsters, the Kray brothers against white background. |
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| Marks and inscriptions |
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| Credit line | Given by Mark Haworth-Booth |
| Object history | David Bailey rose to fame as a fashion photographer in the early 1960s, his photographs. He published 'David Bailey's box of pin-ups' in 1965 as a loose portfolio of 36 portraits of the mainly-male fashionable elite that, as the cover description states, 'belong to Bailey's own world of fashion, pop music and the Ad Lib [nightclub]'. Each portrait is accompanied by notes by Francis Wyndham. Together, they constitute a celebration of the growing celebrity culture of the Sixties, and many of them have become the definitive images of key figures of cultural life in London during the Swinging Sixties. |
| Subjects depicted | |
| Summary | David Bailey rose to fame as a fashion photographer in the early 1960s, his photographs. He published 'David Bailey's box of pin-ups' in 1965 as a loose portfolio of 36 portraits of the mainly-male fashionable elite that, as the cover description states, 'belong to Bailey's own world of fashion, pop music and the Ad Lib [nightclub]'. Each portrait is accompanied by notes by Francis Wyndham. Together, they constitute a celebration of the growing celebrity culture of the Sixties, and many of them have become the definitive images of key figures of cultural life in London during the Swinging Sixties. Surprisingly, only four of the pin-ups are women, all of whom are models; as the notes explain, 'in the age of Mick Jagger, it is the boys who are the pin-ups'. The inclusion of the notorious criminals the Kray brothers in this Box, where they rubbed shoulders with the husband of a princess, caused a stir when it was published. |
| Bibliographic references |
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| Collection | |
| Accession number | E.2047:31-2004 |
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| Record created | February 11, 2004 |
| Record URL |
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