The Rape of the Sabine Woman thumbnail 1
The Rape of the Sabine Woman thumbnail 2
Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 111, The Gilbert Bayes Gallery

The Rape of the Sabine Woman

Panel
1610-1650 (fired)
Artist/Maker
Place of origin

This may be a preparatory sketch for a bronze panel on the pedestal of Giambologna’s Rape of the Sabines. The group was unveiled in 1583 but the model was not fired until much later. When setting out the composition, the artist worked deftly with his fingers and fine tools, adding clay in small pieces to form the figures.


Object details

Categories
Object type
TitleThe Rape of the Sabine Woman (generic title)
Materials and techniques
Terracotta, made from modelled clay
Brief description
'The Rape of the Sabine Women', relief in terracotta, possibly by Giambologna, Florence, 1610-55
Physical description
The Rape of the Sabine Woman, relief in stucco. The relief, which is fragmentary and is made up to a rectangle with plaster at the top, bottom and left side, shows in the background a soldier on a rearing horse and on the left a standing soldier clasping a woman in his arms. The right foreleg of the horse and the front of the foot of the female figure have been broken off.
Dimensions
  • Height: 19.1cm
  • Width: 18.4cm
Credit line
Given by Mr Henry Farrar
Object history
Given by Mr. Henry Farrar, as Polidoro da Caravaggio. Previously in the sale of the effects of Sir Thomas Lawrence (London, Christie, 19 June, 1830, No. 361, bt. Triphook, £4) along with three other clay models (Nos. 359, 360, 362) as Polidoro da Caravaggio.

The relief is regarded by Robinson (p. 165) as "an original sketch", and is ascribed by him to Giovanni Bologna. The ascription to Giovanni Bologna is retained by Maclagan and Longburst (p. 147), but there are not sufficient grounds for ascribing it directly to this sculptor. It is noted without comment by Dhanens (Jean Boulogne: Giovanni Bologna Fiammingo, Brussels, 1956, p. 240).
Subjects depicted
Summary
This may be a preparatory sketch for a bronze panel on the pedestal of Giambologna’s Rape of the Sabines. The group was unveiled in 1583 but the model was not fired until much later. When setting out the composition, the artist worked deftly with his fingers and fine tools, adding clay in small pieces to form the figures.
Bibliographic references
  • Inventory of Art Objects Acquired in the Year 1855. In: Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 78.
  • Maclagan, Eric and Longhurst, Margaret H. Catalogue of Italian Sculpture. Text. London: Victoria and Albert Museum, 1932, p. 147.
  • Pope-Hennessy, John. Catalogue of Italian Sculpture in the Victoria and Albert Museum. Volume II: Text. Sixteenth to Twentieth Century. London: Her Majesty's Stationery Office, 1964, p. 481.
Collection
Accession number
1619-1855

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Record createdFebruary 11, 2004
Record URL
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