David Bailey's box of pin-ups
Photograph
1965 (published)
1965 (published)
| Artist/Maker | |
| Place of origin |
David Bailey rose to fame as a fashion photographer in the early 1960s, his photographs. He published 'David Bailey's box of pin-ups' in 1965 as a loose portfolio of 36 portraits of the mainly-male fashionable elite that, as the cover description states, 'belong to Bailey's own world of fashion, pop music and the Ad Lib [nightclub]'. Each portrait is accompanied by notes by Francis Wyndham. Together, they constitute a celebration of the growing celebrity culture of the Sixties, and many of them have become the definitive images of key figures of cultural life in London during the Swinging Sixties.
Surprisingly, only four of the pin-ups are women, all of whom are models; as the notes explain, 'in the age of Mick Jagger, it is the boys who are the pin-ups'. Like Bailey, the actor Michael Caine had risen from a working-class background in East End of London to become one of the stars of the Sixties.
Surprisingly, only four of the pin-ups are women, all of whom are models; as the notes explain, 'in the age of Mick Jagger, it is the boys who are the pin-ups'. Like Bailey, the actor Michael Caine had risen from a working-class background in East End of London to become one of the stars of the Sixties.
Object details
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| Object type | |
| Titles |
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| Materials and techniques | Half-tone print |
| Brief description | Michael Caine, half-tone print from 'David Bailey's box of pin-ups', by David Bailey, published 1965 |
| Physical description | Black and white portrait of Michael Caine in black suit, lifting black-rimmed glasses above his eyes, against a white background. |
| Style | |
| Marks and inscriptions |
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| Credit line | Given by Mark Haworth-Booth |
| Object history | David Bailey rose to fame as a fashion photographer in the early 1960s, his photographs. He published 'David Bailey's box of pin-ups' in 1965 as a loose portfolio of 36 portraits of the mainly-male fashionable elite that, as the cover description states, 'belong to Bailey's own world of fashion, pop music and the Ad Lib [nightclub]'. Each portrait is accompanied by notes by Francis Wyndham. Together, they constitute a celebration of the growing celebrity culture of the Sixties, and many of them have become the definitive images of key figures of cultural life in London during the Swinging Sixties. |
| Subject depicted | |
| Summary | David Bailey rose to fame as a fashion photographer in the early 1960s, his photographs. He published 'David Bailey's box of pin-ups' in 1965 as a loose portfolio of 36 portraits of the mainly-male fashionable elite that, as the cover description states, 'belong to Bailey's own world of fashion, pop music and the Ad Lib [nightclub]'. Each portrait is accompanied by notes by Francis Wyndham. Together, they constitute a celebration of the growing celebrity culture of the Sixties, and many of them have become the definitive images of key figures of cultural life in London during the Swinging Sixties. Surprisingly, only four of the pin-ups are women, all of whom are models; as the notes explain, 'in the age of Mick Jagger, it is the boys who are the pin-ups'. Like Bailey, the actor Michael Caine had risen from a working-class background in East End of London to become one of the stars of the Sixties. |
| Bibliographic references |
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| Collection | |
| Accession number | E.2047:13-2004 |
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| Record created | February 10, 2004 |
| Record URL |
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