Dish thumbnail 1
Dish thumbnail 2
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images
On display
Image of Gallery in South Kensington

Dish

ca. 1700 (made)
Artist/Maker
Place of origin

There are a number of dishes painted with Nazaret, a name attributed to khawaje Nazar (d.1636 [Kurdian]), who was the head of the Armenian community in New Julfa, or a descendent. The pattern was based on a Chinese prototype, which is often associated with the Islamic market, but examples have been found in the Americas and elsewhere.

Object details

Category
Object type
Materials and techniques
Fritware, painted and glazed
Brief description
Dish, fritware, painted in underglaze blue with the 'Aster pattern' after a Chinese pattern, the centre incorporating an Armenian merchant's monogram, Iran, ca. 1700
Physical description
Dish, fritware. The dish has a small flange with a bands of hatchings grouped in alternating directions. Eighteen panels with asters at the end of stems with parallel leaves, surround a band of sketchy scales. An Armenian monogram, painted within the band, can be read as Nazaret. A very loose scroll of nodescript flowers and tadpole leaves surround the outside with a plain white band above the base ring There is no mark.
Dimensions
  • Height: 3.8cm
  • Width: 22.5cm
Style
Marks and inscriptions
(There are a number of dishes painted with Nazaret, a name attributed to khawaje Nazar, the head of the Armenian community in New Julfa, who died in 1636 [Kurdian], or a descendent.)
Translation
An Armenian monogram, painted within the band, can be read as Nazaret .
Gallery label
(17.05.1965)
Plate, lead-glazed earthenware. Turkish (Kutahia). 17th-18th century.
Ceramics Galleries 145.5-6, Precious Cargo
Object history
Historical significance: Thus dish is part of a small group of wares commisioned by or for members of the Armenian community living in New Julfa, outside Isfahan.
Summary
There are a number of dishes painted with Nazaret, a name attributed to khawaje Nazar (d.1636 [Kurdian]), who was the head of the Armenian community in New Julfa, or a descendent. The pattern was based on a Chinese prototype, which is often associated with the Islamic market, but examples have been found in the Americas and elsewhere.
Bibliographic reference
Y. Crowe, Persia and China. Safavid Blue and White Ceramics in the Victoria and Albert Museum 1501-1738, London, Thames & Hudson, 2002, p.240; no. 423.
Collection
Accession number
2715-1876

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Record createdSeptember 29, 1998
Record URL
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