Chalice
ca. 1550 (made)
Artist/Maker | |
Place of origin |
This chalice was commissioned by the celebrated Fugger family of merchants and bankers from Augsburg, who financed the crown of Spain and many other European and worldwide enterprises. Their coat of arms can be seen on the foot. Figures of the four Evangelists (Matthew, Mark, Luke and John) are depicted on the bowl using the niello technique, pressing and melting a black enamel-like compound of silver, copper or lead sulphides into engraved lines on the metal's surface to produce a dramatic contrast with the shiny silver. The design of the foot and knop (the bulbous part of the stem designed to help the priest hold the chalice) is typical of Spanish goldsmiths' work. The engraving, however, is very similar to work being produced in the centres of Nuremberg and Augsburg.
Object details
Categories | |
Object type | |
Materials and techniques | Silver, silver-gilt, and enamel |
Brief description | German (probably Nuremberg) about 1550-60. The foot bears the coat of arms of the celebrated Fugger family of merchants from Augsburg, whose activities extended across and beyond Europe.; Church plate, Continental |
Physical description | Niello figures of the Evangelists on the lower part. 8-lobed knop and cylindrical stem partly enamelled and partly enriched with foliage. |
Dimensions |
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Marks and inscriptions |
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Gallery label |
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Object history | Purchase - Robinson Collection The foot bears the coat of arms of the celebrated Fugger family of merchants from Augsburg, whose activities extended across and beyond Europe. |
Production | Maker unidentified |
Summary | This chalice was commissioned by the celebrated Fugger family of merchants and bankers from Augsburg, who financed the crown of Spain and many other European and worldwide enterprises. Their coat of arms can be seen on the foot. Figures of the four Evangelists (Matthew, Mark, Luke and John) are depicted on the bowl using the niello technique, pressing and melting a black enamel-like compound of silver, copper or lead sulphides into engraved lines on the metal's surface to produce a dramatic contrast with the shiny silver. The design of the foot and knop (the bulbous part of the stem designed to help the priest hold the chalice) is typical of Spanish goldsmiths' work. The engraving, however, is very similar to work being produced in the centres of Nuremberg and Augsburg. |
Collection | |
Accession number | 133-1879 |
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Record created | February 9, 2004 |
Record URL |
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