The Wharfe thumbnail 1
The Wharfe thumbnail 2
Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level F , Case X, Shelf 32, Box A

The Wharfe

Photograph
1854 (photographed)
Artist/Maker
Place of origin

Roger Fenton's ten-year career as a professional photographer established him as a master of many kinds of subjects, especially landscape. This image contains an expansive sense of breadth and atmosphere. This is achieved partly through the use of reflections and partly through aerial perspective, in which distance is evoked by a gradual softening of tone and detail.

Fenton probably made this image on his first photographic expedition through Yorkshire, in 1854. The River Wharfe was a favourite with tourists in Fenton's time. Such sights were associated with the great British Romantic poets and watercolourists of the late 18th and early 19th centuries. Artists like Fenton, following in their footsteps, evolved a new, photographic interpretation of familiar subjects.


Object details

Categories
Object type
TitleThe Wharfe (assigned by artist)
Materials and techniques
Salted paper print from collodion on glass negative
Brief description
Photograph by Roger Fenton, 'The River Wharfe'. England, 1854.
Physical description
Photograph
Dimensions
  • Height: 18.5cm
  • Width: 22.5cm
Subjects depicted
Place depicted
Summary
Roger Fenton's ten-year career as a professional photographer established him as a master of many kinds of subjects, especially landscape. This image contains an expansive sense of breadth and atmosphere. This is achieved partly through the use of reflections and partly through aerial perspective, in which distance is evoked by a gradual softening of tone and detail.

Fenton probably made this image on his first photographic expedition through Yorkshire, in 1854. The River Wharfe was a favourite with tourists in Fenton's time. Such sights were associated with the great British Romantic poets and watercolourists of the late 18th and early 19th centuries. Artists like Fenton, following in their footsteps, evolved a new, photographic interpretation of familiar subjects.
Bibliographic references
  • David Dimbleby, A Picture of Britain London: Tate, 2005. 223p. : col ill., map. ISBN: 1854375660.
  • Taken from Photography Department index card catalogue
Collection
Accession number
PH.478-1981

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Record createdFebruary 6, 2004
Record URL
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