Physical description
Scenic landscape painting of a lake and hills with a castle or tower in the middle distance.
Place of Origin
Staffordshire, England (painted)
Date
1793 (painted)
Artist/maker
Paul Sandby, born 1731 - died 1809 (artist)
Materials and Techniques
fresco on plaster
Dimensions
Height: 6.69 m estimate, Width: 7.727 m estimate, Depth: 2.796 m estimate, Height: 716 cm Height at highest point, Height: 364 cm Height at which the proscenium arch springs out, Height: 549 cm Height up to corner before curve, Depth: 325 cm Depth of entire structure
Object history note
Painted by Paul Sandby in 1793 as part of the decoration of the dining room at Drakelow Hall Derbyshire, for Sir Nigel Gresley. Sandby had stayed with Sir Watkin Williams Wynn at Wynnstay near Wrexham in north Wales in 1771, and published a series of aquatints of North Wales in 1776. While at Wynnstay he painted all the scenes for Sir Watkin's private theatre. When he decorated the dining hall at Drakelow, he included as a central motif in the architectural niche at one end of the room a view of Dolbadarn Castlle with the lake Llyn Padarn in Snowdonia.
Vitruvius and Pliny both mention the decoration of classical villas with illusionistic landscapes, and similar wall decorations were painted by Italian painters of the 16th-18th centuries, such as Battista and Dosso Dossi at the Villa Imperiale in Pesaro in 1530-40, Pieter Mulier called Tempesta at the Palazzo Colonna in Rone in 1668 and Monsù Francesco Borgognone in the cloister of S. Andrea delle Fratte at Rome in 1720-30. Around 1781 George Barret decorated a room in Norbury Park for William Locke with a comparable contiunuous illusionistic landscape. This may have provided the model for thesimilar painted room at Drakelow.
On visiting Drakelow in 1794 the poet Anna Steward found the dining room of 'singular happiness' and described it thus:
'It is large, one side painted with forest scenery whose majestic trees arch over the coved ceiling. Through them we see glades, tufted banks, and ascending walks in perspective. The opposite side exhibits a Peak valley, the front shows a prospect of a more distant country, vieing with the beauties of the real one, admitted through a crystal wall of window. Its chimney piece, formed of spars and ores and shells, represents a grotto. Real pales, painted green, and breast high, are placed a few inches from the wall and increase the deception. In these are little wicket gates that, half open, invite us to ascend the seeming forest banks. The perspective is so well preserved as to produce a landscape deception little inferior to the watery delusion of the celebrated panorama.' [*presumably a reference to the Panorama of London by Robert Baker exhibited in Leicester Square in 1792].
Following the demolition of Drakelow Hall the fragment of the painted decoration with the architectural niche with a view of Dolbadarn Castlle and Llyn Padarn was purchased for £50 from Perry and Phillips Ltd., of High Street, Bridgenorth, 1934
Descriptive line
Fresco from The Painted Dining Room at Drakelow Hall by Paul Sandby. Great Britain, 1793.
Bibliographic References (Citation, Note/Abstract, NAL no)
Anna Seward, (ed. Archibald Constantine), The Letters of Anna Seward: Written between the Years 1784 and 1807, 6 vols, Edinburgh 1811, vol. 3, pp. 380-81; William T. Whiteley, Art in England 1800-1820, Cambridge 1928, p.152; 'The Drakelow Painted Room', The Cabinet Maker and Complete House Furnisher, 29 February 1936, pp.438-9; Marcel Roethlisberger, 'Räume mit durchgehenden Landschaftsdarstellungen', Zeitschrift für Schweizerische Archäologie und Kunstgeschichte, bd. 42, 1985, pp.243-49; John Bonehill and Stephen Daniels (ed.), Paul Sandby. Picturing Britain, exhibition catalogue, Royal Academy of Arts, London 2009, p.20, fig.4.
Production Note
Painted at Drakelow Hall which was demolished in 1934. The site, previously in Derbyshire, is now a power station near Burton-on-Trent in Staffordshire.
Materials
Watercolour; Plaster
Techniques
Fresco
Subjects depicted
Landscape; Capricci
Categories
Paintings; Wall coverings; Architectural fittings
Collection code
PDP
