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Not currently on display at the V&A

Waistcoat

Waistcoat
1800-1900 (made)
Artist/Maker
Place of origin

There is a lot of movement in the shape and decoration of this waistcoat, as every cutting line and every line of decoration is curved. The white felted wool has been cut to form three points down each side of the front opening, and several rows of black silk cord have been attached to the edge and twisted to follow the contours. When the waistcoat was made the edges were faced with woollen braid that survives beneath a later white silk lining, part of which can be seen in places beyond the cord edging.

The thick silk cords used to decorate the front panels have a pronounced twist, giving it a rope-like quality. In spite of this it forms flowers and leaves of surprising liveliness. Enough of the white ground shows to provide a contrast to the sombre black silk, and the curving lines, which enclose a meandering stem of leaves, prevent the tightly packed flower heads from becoming monotonous.


Object details

Categories
Object type
TitleWaistcoat
Materials and techniques
Felted wool, decorated with couched silk cord
Brief description
Waistcoat, wool, silk, Montenegro, 1800s
Physical description
Man's waistcoat, of felted wool decorated with couched silk cord. The sleeveless white waistcoat is largely covered with laid bands of black wool and silk, mostly in an interlaced foliage design. The front is cut low and scalloped, and the bottom line is broken by two tabs under the arms. The lining is of patterned white satin.
Dimensions
  • Length: 13.5in
  • Across shoulders width: 15.5in
Historical measurements taken from register.
Credit line
Given by George Hubbard
Subject depicted
Summary
There is a lot of movement in the shape and decoration of this waistcoat, as every cutting line and every line of decoration is curved. The white felted wool has been cut to form three points down each side of the front opening, and several rows of black silk cord have been attached to the edge and twisted to follow the contours. When the waistcoat was made the edges were faced with woollen braid that survives beneath a later white silk lining, part of which can be seen in places beyond the cord edging.

The thick silk cords used to decorate the front panels have a pronounced twist, giving it a rope-like quality. In spite of this it forms flowers and leaves of surprising liveliness. Enough of the white ground shows to provide a contrast to the sombre black silk, and the curving lines, which enclose a meandering stem of leaves, prevent the tightly packed flower heads from becoming monotonous.
Bibliographic reference
Crill, Rosemary, Jennifer Wearden and Verity Wilson. Dress in Detail from Around the World. London: V&A Publications, 2002. 224 p., ill. ISBN 09781851773787. p. 94
Collection
Accession number
T.182-1928

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Record createdFebruary 5, 2004
Record URL
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