Hardships in the Camp (Colonel Lowe and Captains Brown and George) thumbnail 1
Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level H , Case Delta, Shelf 4

Hardships in the Camp (Colonel Lowe and Captains Brown and George)

Photograph
1855 (photographed)
Artist/Maker
Place of origin

In 1854 Fenton was approached by the Manchester publisher Thomas Agnew to be sent under semi-official patronage to the Crimean War. The government wanted to obtain scenes from the battlefield and of the British Army and Agnew would gain some financial return in selling prints. The images, therefore, had to be informative but also palatable to a British audience. Despite arduous conditions, Fenton produced up to 360 photographs of the war between Russia and an alliance of Britain, the Ottoman empire and France. The images are mainly topographical views and portraits of the serving British Army. This one shows three soldiers in the foreground at rest, eating and drinking. It has a conventional composition but its significance is transformed by the knowledge of the event at which the scene takes place. The stillness of the image highlights the sense of waiting and the impending action of the battlefield.


Object details

Categories
Object type
TitleHardships in the Camp (Colonel Lowe and Captains Brown and George) (assigned by artist)
Materials and techniques
Salted paper print from glass negative
Brief description
Photograph by Roger Fenton, depicting 'Hardships in the Camp', 1855
Physical description
Photograph of soldiers seated in camp
Dimensions
  • Height: 17.5cm
  • Width: 15.8cm
Marks and inscriptions
[Left to right] Captain Brown, Colonel Lowe, Captain George
Credit line
Townshend Bequest
Subjects depicted
Summary
In 1854 Fenton was approached by the Manchester publisher Thomas Agnew to be sent under semi-official patronage to the Crimean War. The government wanted to obtain scenes from the battlefield and of the British Army and Agnew would gain some financial return in selling prints. The images, therefore, had to be informative but also palatable to a British audience. Despite arduous conditions, Fenton produced up to 360 photographs of the war between Russia and an alliance of Britain, the Ottoman empire and France. The images are mainly topographical views and portraits of the serving British Army. This one shows three soldiers in the foreground at rest, eating and drinking. It has a conventional composition but its significance is transformed by the knowledge of the event at which the scene takes place. The stillness of the image highlights the sense of waiting and the impending action of the battlefield.
Bibliographic references
  • Taken from Photographs Register
  • Taken from Photography Department index card catalogue
Collection
Accession number
64847

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Record createdJanuary 29, 2004
Record URL
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