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The Sun at its Zenith - Ocean

  • Object:

    Photograph

  • Date:

    1856 (made)

  • Artist/Maker:

    le gray, gustave, born 1820 - died 1884 (maker)

  • Materials and Techniques:

    Albumen print from a collodion-on-glass negative

  • Museum number:

    67:999

  • Gallery location:

    In Storage

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Le Gray shot directly into the sun for this photograph in an attempt to balance on one glass negative the exposure for a bright sky and a relatively dark sea. The sun has become a dark disc owing to a photochemical phenomenon in which extreme overexposure at an intense point of light reverses the tones on the negative.

Collodion-on-glass negatives were introduced in 1851. Le Gray adopted them in preference to paper negatives to achieve maximum sharpness coupled with even faster exposure times. The glass plate was covered with a solution of ether and guncotton (cotton steeped in nitric and sulphuric acids). It was then sensitised. The negative had to be exposed in the camera while still wet and developed immediately afterwards.

Physical description

Photograph of sea and clouds

Date

1856 (made)

Artist/maker

le gray, gustave, born 1820 - died 1884 (maker)

Materials and Techniques

Albumen print from a collodion-on-glass negative

Dimensions

Height: 32.6 cm, Width: 41.4 cm

Historical context note

Townshend bequest 1868

Bibliographic References (Citation, Note/Abstract, NAL no)

Carole McNamara, The lens of impressionism: photography and painting along the Normandy coast 1850-1874 Michigan: University of Michigan Museum of Art, 2009. ISBN: 9781555953256.
Exhibition catalogue

Exhibition History

Reflected Colour: Impressionism on the surface of the water (Musée des Beaux-Arts, Rouen 27/04/2013-29/09/2013)
The Lens of Impressionism: Painting and Photography Along the Normandy Coast, 1850-1874 (Dallas Museum of Art 21/02/2010-23/05/2010)
The Lens of Impressionism: Painting and Photography Along the Normandy Coast, 1850-1874 (University of Michigan Museum of Art 10/10/2009-03/01/2010)
Sea and Sky: Photographs by Gustave Le Gray, 1856-7. Photography Gallery (01/01/2003-31/12/2003)

Labels and date

Le Gray shot directly into the sun for this photograph, in an attempt to balance on one glass negative the exposure for a bright sky and a relatively dark sea. The sun has become a dark disc, due to a photochemical phenomenon in which extreme over-exposure at an intense point of light reverses the tones on the negative.

Collodion-on-glass negatives were introduced in 1851. Le Gray adopted them in preference to paper negatives to achieve maximum sharpness coupled with even faster exposure times. The glass plate was covered with a solution of ether and guncotton (cotton steeped in nitric and sulphuric acids). It was then sensitised. The negative had to be exposed in the camera while still wet and developed immediately afterwards.

Techniques

Albumen process

Subjects depicted

Sun; Seascape

Categories

Photographs

Collection code

PDP

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Qr_O90302
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