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Proper Ornaments to be Engrav'd on Plate

Metalwork Design
ca. 1694
Artist/Maker
Place of origin

At the close of the seventeenth century, Charles de Moelder was one of the leading ornamental engravers in London. He produced designs that were sold to silversmiths or goldsmiths, who subsequently made objects using de Moelder’s designs as patterns or as inspiration. Ornaments, such as those shown here, could have been cast or inscribed onto works by the silversmith after consulting with the patron. Several of the designs include heraldic motifs, which the patron could adapt to his own coat of arms. A sheet like this with a variety of patterns would have provided the silversmith with options for recombination within de Moelder’s design aesthetic. There are also two mythological scenes, one of Mercury charming Argus to sleep and another showing a love scene between a nymph and a satyr. As such boxes were often part of a bridal gift, such scenes of romance were appropriate.


Object details

Categories
Object type
TitleProper Ornaments to be Engrav'd on Plate (series title)
Materials and techniques
engraving
Brief description
Charles de Moelder (after). Several designs, probably for the lids of small boxes. Plate from a suite of twelve showing designs for silver engraving. British, 1694.
Physical description
A plate showing several circular designs, probably for the lids of small boxes. A design on the left shows Mercury and Argus, and one on the right shows a nymph and a satyr together.
Dimensions
  • Height: 13cm (cut to )
  • Width: 28.6cm (cut to)
Marks and inscriptions
"C. De. Moelder. in. et. Fecit." (lower left corner )
Object history
The designs shown on this engraving were probably intended to be made into lids for small, circular boxes. Such boxes were popular in the late 17th and early 18th centuries as elements of a toilette set, examples of which include V&A inventory number 240H&Q-1879.
Subjects depicted
Summary
At the close of the seventeenth century, Charles de Moelder was one of the leading ornamental engravers in London. He produced designs that were sold to silversmiths or goldsmiths, who subsequently made objects using de Moelder’s designs as patterns or as inspiration. Ornaments, such as those shown here, could have been cast or inscribed onto works by the silversmith after consulting with the patron. Several of the designs include heraldic motifs, which the patron could adapt to his own coat of arms. A sheet like this with a variety of patterns would have provided the silversmith with options for recombination within de Moelder’s design aesthetic. There are also two mythological scenes, one of Mercury charming Argus to sleep and another showing a love scene between a nymph and a satyr. As such boxes were often part of a bridal gift, such scenes of romance were appropriate.
Bibliographic references
  • Fuhring, Peter, and Jennifer Kilian. Ornament prints in the Rijksmuseum II, Pt. 1. The, seventeenth century / Peter Fuhring. Ornament Prints in the Rijksmuseum. Amsterdam: Rijksmuseum, 2004.
  • Wees, Beth Carver. English, Irish, & Scottish silver at the Sterling and Francine Clark Art Institute. New York: Hudson Hills press, 1997.
  • Victoria and Albert Museum, Department of Engraving, Illustration and Design and Department of Paintings, Accessions 1926, London: Board of Education, 1927.
Collection
Accession number
E.1065-1899

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Record createdJune 30, 2009
Record URL
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