Not currently on display at the V&A

Theatre Costume

1986 (Made)

High conical headdress with smaller domed top ending in an open-topped 'finial', of perforated gold foil ribbon, trimmed with sequins. The lower part is underlaid with orange ribbon and overlaid with silver and gold braids in upward curves to either side meeting at the front. The headdress is trimmed with silver and gold sequins. The 'finial' is of looped gold cords bound with plaited gold thread; the base is trimmed with the same braid. Synthetic black hair is attached to sides and back of the lower edge.


Object details

Object type
Materials and techniques
Perforated gold foil ribbon, sequins, ribbon, gold and silver braid, gold cord, synthetic hair and adhesive tape
Brief description
Headdress for Sri V P Dhananjayan's dance drama Return of Spring, Academy of Indian Dance, 1986, designed by Shanta Dhananjayan.
Physical description
High conical headdress with smaller domed top ending in an open-topped 'finial', of perforated gold foil ribbon, trimmed with sequins. The lower part is underlaid with orange ribbon and overlaid with silver and gold braids in upward curves to either side meeting at the front. The headdress is trimmed with silver and gold sequins. The 'finial' is of looped gold cords bound with plaited gold thread; the base is trimmed with the same braid. Synthetic black hair is attached to sides and back of the lower edge.
Credit line
Given by Akademi
Object history
Return of Spring was choreographed by Sri V P Dhananjayan for Academy of Indian Dance (Akademi) in London in 1986. It was adapted from an episode in Kalidasa's famous Sanskrit poem Kumara Sambhavan (Birth of Kumara), which had frequently been adapted into drama, dance and film in India. To fulfil the aims of the Academy, V P Dhananjayan had to create a work accessible to both western and eastern audiences while keeping the choreography within the abilities of the performers. Kathakali and Bharata Natyam were used for the divine characters and rustic folk style for the humans while T V Gopalakrishnan's music used both south and north Indian melodies and percussions. The designs by Craig Givens were imaginatively executed, especially the headdresses, the bases of which were punched metallic ribbon; these were inexpensive to make and light to wear, but gave the impression of richness.
Collection
Accession number
S.8-2003

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Record createdJanuary 27, 2004
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