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Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 111, The Gilbert Bayes Gallery

Hope

Medallion
1540-1546 (made)
Artist/Maker
Place of origin

For some sculptural commissions, a leading artist such as Giambologna made only the model and the work was executed by others. Ideas were also transmitted by terracotta models, plaquettes and engravings, as well as by decorative objects for which sculptors had provided designs.The Nuremberg sculptor Peter Flötner was one of the most versatile artists and designers of the German Renaissance. His virtuosity as a sculptor is evident from
his plaquettes in lead, bronze and Solnhofen limestone. Flötner produced
several series of plaquettes, among them The Virtues, Eminent Women of Classical
Antiquity and The Seven Gods of the Planets. The frequency with which
goldsmiths and other craftsmen copied his reliefs is an indication of their popularity.


Object details

Categories
Object type
TitleHope (generic title)
Materials and techniques
Relief in lead
Brief description
Medallion Plaque, Lead, subject in relief, German (Nuremberg), by Peter Flötner (1485-1546), about 1540-1546
Physical description
Medallion depicts: Seated female figure looking up hopefully, with hands together as if in prayer.
Dimensions
  • Diameter: 7.6cm
Marks and inscriptions
Medallion depicts: Seated female figure looking up hopefully, with hands together as if in prayer.
Object history
Historical significance: The Nuremberg sculptor Peter Flötner was one of the most versatile artists and designers of the German Renaissance. His virtuosity as a sculptor is evident from his plaquettes in lead, bronze and Solnhofen limestone. Flötner produced several series of plaquettes, among them the Virtues, Eminent Women of Classical Antiquity and The Seven Gods of the Planets. The frequency with which goldsmiths and other craftsmen copied his reliefs is an indication of their popularity
Subject depicted
Summary
For some sculptural commissions, a leading artist such as Giambologna made only the model and the work was executed by others. Ideas were also transmitted by terracotta models, plaquettes and engravings, as well as by decorative objects for which sculptors had provided designs.The Nuremberg sculptor Peter Flötner was one of the most versatile artists and designers of the German Renaissance. His virtuosity as a sculptor is evident from
his plaquettes in lead, bronze and Solnhofen limestone. Flötner produced
several series of plaquettes, among them The Virtues, Eminent Women of Classical
Antiquity and The Seven Gods of the Planets. The frequency with which
goldsmiths and other craftsmen copied his reliefs is an indication of their popularity.
Bibliographic references
  • Inventory of Art Objects Acquired in the Year 1859. In: Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 37
  • Weber, I. Deutsche, Niederländische und Französische Renaissance Plaketten. Munich, 1975, p. 81, cat. No. 62, 2
Collection
Accession number
4652-1859

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Record createdJanuary 21, 2004
Record URL
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