Not currently on display at the V&A

The Nativity

Plaquette
about 1500-1530 (made), first half of 16th century (made)
Artist/Maker
Place of origin

This plaquette was probably worn as a pendant. It shows the Virgin kneeling in adoration on the left; the Child Christ lies on a fold of her mantle, with two angels beside him. To the right the heads of the ox and ass, and St. Joseph kneeling behind them with a candle. Above, the roof of a shed, and three angels under it; at the left side are two shepherds looking over the wattled fence.

Plaquettes are small plaques or reliefs made of bronze, brass, lead or precious metals. They originated in the 1440ies with the desire to reproduce coins and hardstone engravings from ancient Greece and Rome. Some were made as collector's pieces, to be viewed and displayed in private, and others for practical purposes. They also inspired designs in other media, from architecture to book-bindings.
Whilst religious plaquettes had both public and private functions, and mounted religious plaquettes, known as paxes, were held up during mass for the kiss of peace, those with a secular subject matter were usually for private, personal use. They were used as pendants, desk ornaments, and applied to functional objects such as pounce-pots. They were also valued as fine miniature works of art.


Object details

Categories
Object type
TitleThe Nativity (generic title)
Materials and techniques
Bronze
Brief description
Plaquette, bronze, the Nativity, unknown artist, French or Flemish, ca. 1500-1530
Physical description
To the left the Virgin kneeling in adoration; the Child Christ lies on a fold of her mantle, with two angels besie him. To the right the heads of the ox and ass, and St. Joseph kneeling behind them with a candle. Above, the roof of a shed, and three angels under it; at the left side are two shepherds looking over the wattled fence.
Dimensions
  • Height: 6.7cm
  • Width: 5.3cm
Marks and inscriptions
NATIVITAS DOMINI POVR NOVS DEMOSTRER HUMILITATE DIEV VOVLSIT NAISTRE EN POVVRETE. (On the base, and round the margin, in a raised border inscrptions in relief.)
Credit line
Salting Bequest
Object history
From the Salting bequest.
Production
Possibly Flemish.
Subjects depicted
Summary
This plaquette was probably worn as a pendant. It shows the Virgin kneeling in adoration on the left; the Child Christ lies on a fold of her mantle, with two angels beside him. To the right the heads of the ox and ass, and St. Joseph kneeling behind them with a candle. Above, the roof of a shed, and three angels under it; at the left side are two shepherds looking over the wattled fence.

Plaquettes are small plaques or reliefs made of bronze, brass, lead or precious metals. They originated in the 1440ies with the desire to reproduce coins and hardstone engravings from ancient Greece and Rome. Some were made as collector's pieces, to be viewed and displayed in private, and others for practical purposes. They also inspired designs in other media, from architecture to book-bindings.
Whilst religious plaquettes had both public and private functions, and mounted religious plaquettes, known as paxes, were held up during mass for the kiss of peace, those with a secular subject matter were usually for private, personal use. They were used as pendants, desk ornaments, and applied to functional objects such as pounce-pots. They were also valued as fine miniature works of art.
Bibliographic reference
'Salting Bequest (A. 70 to A. 1029-1910) / Murray Bequest (A. 1030 to A. 1096-1910)'. In: List of Works of Art Acquired by the Victoria and Albert Museum (Department of Architecture and Sculpture). London: Printed under the Authority of his Majesty's Stationery Office, by Eyre and Spottiswoode, Limited, East Harding Street, EC, p. 79
Collection
Accession number
A.490-1910

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Record createdJanuary 20, 2004
Record URL
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