Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 111, The Gilbert Bayes Gallery

Workman with a Shovel

Statuette
ca. 1894 (made)
Artist/Maker
Place of origin

Dalou believed in traditional craftsmanship and disapproved of the contemporary practice of producing sand-cast sculpture in large quantities. This model is signed by the artist as well as by the foundry that cast it. It was intended for a large-scale monument but never brought to completion. This figure is cast by the lost-wax method. Inscribed ‘DALOU’ and ‘cire perdue’ on the back of the base and ‘Susse Frs Edn Paris’on the front. Stamped with the foundry mark ‘SUSSE FRERES PARIS LOITEURS’ and, in the middle, a trademark of blacksmiths’ tools.

Dalou (1838-1902) was the son of a glove maker and initially trained in drawing at the Petit École in Paris. There he was encouraged to do sculpture. In 1854 he entered the École des Beaux-Arts, where he trained for four years. He was known for his left-wing political sympathies and was involved in the establishment of the Paris Commune in 1871. After his overthrow he was forced into exile in London, where he lived from 1871 until his return to Paris in 1879. In London he frequently exhibited at the Royal Academy and he was given a teaching appointment at the National Art Training School in South Kensington (later the Royal College of Art), where he had a profound effect on the development of British sculpture.



Object details

Categories
Object type
Titles
  • Workman with a Shovel (generic title)
  • Le Terrassier
Materials and techniques
Bronze
Brief description
Statuette, bronze, Workman with a shovel, by Aimé-Jules Dalou (1838-1902), made in Paris, about 1894
Physical description
The worker stands clasping a large spade in both hands. He is bare-chested, and wears a brimmed hat and baggy trousers. The front of the base is inscribed 'Suss Frs Edn Paris'. A brass stamp set into the back of the piece is inscribed 'Susse Freres Paris Loiteurs'; in the middle of the stamp is a trademark of blacksmiths' tools.
Dimensions
  • Height: 19.22cm
Marks and inscriptions
  • 'Susse Frs Edn Paris' (Inscribed on the front of the base)
  • 'SUSSE FRERES PARIS LOITEURS' (A brass stamp Set into the back is inscribed with those words and in the middle of the stamp is a trademark of blacksmiths' tools)
  • 'DALOU' (on the back at the right)
  • 'cire perdue' (on the back of the base to the left)
Credit line
Given by Dr Neville Goodman
Object history
Given together with A.17 to A.30 and A.32 by Dr Neville Goodman, C.B. in 1971. Transferred to the Bethnal Green Museum in 1974, and returned to the V&A in 1983.
Production
Cast from a maquette made by Dalou for his projected Workers' Monument.
Subjects depicted
Summary
Dalou believed in traditional craftsmanship and disapproved of the contemporary practice of producing sand-cast sculpture in large quantities. This model is signed by the artist as well as by the foundry that cast it. It was intended for a large-scale monument but never brought to completion. This figure is cast by the lost-wax method. Inscribed ‘DALOU’ and ‘cire perdue’ on the back of the base and ‘Susse Frs Edn Paris’on the front. Stamped with the foundry mark ‘SUSSE FRERES PARIS LOITEURS’ and, in the middle, a trademark of blacksmiths’ tools.

Dalou (1838-1902) was the son of a glove maker and initially trained in drawing at the Petit École in Paris. There he was encouraged to do sculpture. In 1854 he entered the École des Beaux-Arts, where he trained for four years. He was known for his left-wing political sympathies and was involved in the establishment of the Paris Commune in 1871. After his overthrow he was forced into exile in London, where he lived from 1871 until his return to Paris in 1879. In London he frequently exhibited at the Royal Academy and he was given a teaching appointment at the National Art Training School in South Kensington (later the Royal College of Art), where he had a profound effect on the development of British sculpture.

Bibliographic references
  • Bilbey, Diane with Marjorie Trusted. British sculpture 1470 to 2000 : a concise catalogue of the collection at the Victoria and Albert Museum. London : V&A Publications, 2002, p.250, cat. no. 379
  • Dreyfous, M. Dalou: Sa Vie et son Oeuvre, Paris, 1903, p. 261
  • Caillaux, M. Dalou (1838-1902): L'Homme- L'Oeuvre, Paris, 1935, p. 152, no. 122
Collection
Accession number
A.31-1971

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Record createdJanuary 16, 2004
Record URL
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