Juno
Figure
ca. 1580-ca. 1590 (made)
ca. 1580-ca. 1590 (made)
Artist/Maker | |
Place of origin |
This statuette - a firedog figure - representing Juno, is a model made in the circle of Alessandro Vittoria, in Venice, in about 1580-1590.
The figure originally surmounted a fire-dog and was not intended as an independent statuette. It is frequently paired with A.18-1961, a figure of Jupiter, but it probably dates from an later period. It is one of numerous copies of a model by Alessandro Vittoria. Although possibly produced in Vittoria's workshop, such figures were also reproduced by artisan founders in Venice following the style of the leading sculptors of the day.
Firedogs or andirons were placed within the fireplace and would have been used to hold utensials which were required for tending the fire. Often, firedogs do not even appear on inventories, which indicates their status as standard household objects, not necessarily worthy of particular note.
Firedogs stand either side of the fireplace and hold burning logs above the floor in order to allow an updraft of air.
Vittoria (1525-1608) was an Italian sculptor, stuccoist and architect. In the second half of the 16th century he became one of the most important sculptors active in Venice. On his arrival in Venice in 1543 he worked for Jacopo Sansovino (1486-1570). He left Venice for Vicenza for a period of around 6 years. Apart from that and another short stay in 1576-77 when he worked in Brescia and Vicenca again to avoid the plague, he remained in Venice until his death. He is buried in the church of S. Zaccaria, where there is also a marble self-portrait bust as part of the monument. Portrait busts form a large part of his oevre.
The figure originally surmounted a fire-dog and was not intended as an independent statuette. It is frequently paired with A.18-1961, a figure of Jupiter, but it probably dates from an later period. It is one of numerous copies of a model by Alessandro Vittoria. Although possibly produced in Vittoria's workshop, such figures were also reproduced by artisan founders in Venice following the style of the leading sculptors of the day.
Firedogs or andirons were placed within the fireplace and would have been used to hold utensials which were required for tending the fire. Often, firedogs do not even appear on inventories, which indicates their status as standard household objects, not necessarily worthy of particular note.
Firedogs stand either side of the fireplace and hold burning logs above the floor in order to allow an updraft of air.
Vittoria (1525-1608) was an Italian sculptor, stuccoist and architect. In the second half of the 16th century he became one of the most important sculptors active in Venice. On his arrival in Venice in 1543 he worked for Jacopo Sansovino (1486-1570). He left Venice for Vicenza for a period of around 6 years. Apart from that and another short stay in 1576-77 when he worked in Brescia and Vicenca again to avoid the plague, he remained in Venice until his death. He is buried in the church of S. Zaccaria, where there is also a marble self-portrait bust as part of the monument. Portrait busts form a large part of his oevre.
Object details
Categories | |
Object type | |
Title | Juno (generic title) |
Materials and techniques | Leaded bronze, with traces of zinc, antimony and possibly silver. |
Brief description | Figure, bronze, from a fire-dog, representing Juno, circle of Alessandro Vittoria, Italian (Venice), about 1580-90 |
Physical description | Juno stands clasping drapery to her bosom with her right hand while resting the other hand on the head of a peacock, which stands at her side. |
Dimensions |
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Credit line | Purchased through the Hildburgh Fund |
Object history | The figure originally surmounted a fire-dog and was not intended as an independent statuette. It is frequently paired with A.18-1961, but it probably dates from a later period. BGought from the Arcade gallery together with A.18-1961, with funds of the Hildburgh bequest in 1861, for £550. |
Subject depicted | |
Summary | This statuette - a firedog figure - representing Juno, is a model made in the circle of Alessandro Vittoria, in Venice, in about 1580-1590. The figure originally surmounted a fire-dog and was not intended as an independent statuette. It is frequently paired with A.18-1961, a figure of Jupiter, but it probably dates from an later period. It is one of numerous copies of a model by Alessandro Vittoria. Although possibly produced in Vittoria's workshop, such figures were also reproduced by artisan founders in Venice following the style of the leading sculptors of the day. Firedogs or andirons were placed within the fireplace and would have been used to hold utensials which were required for tending the fire. Often, firedogs do not even appear on inventories, which indicates their status as standard household objects, not necessarily worthy of particular note. Firedogs stand either side of the fireplace and hold burning logs above the floor in order to allow an updraft of air. Vittoria (1525-1608) was an Italian sculptor, stuccoist and architect. In the second half of the 16th century he became one of the most important sculptors active in Venice. On his arrival in Venice in 1543 he worked for Jacopo Sansovino (1486-1570). He left Venice for Vicenza for a period of around 6 years. Apart from that and another short stay in 1576-77 when he worked in Brescia and Vicenca again to avoid the plague, he remained in Venice until his death. He is buried in the church of S. Zaccaria, where there is also a marble self-portrait bust as part of the monument. Portrait busts form a large part of his oevre. |
Associated object | |
Bibliographic references |
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Collection | |
Accession number | A.19-1961 |
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Record created | January 15, 2004 |
Record URL |
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