The Florentine Boar thumbnail 1
The Florentine Boar thumbnail 2
Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 111, The Gilbert Bayes Gallery

The Florentine Boar

Statuette
ca. 1850-1925 (cast)
Artist/Maker
Place of origin

Bronzes often exist in a number of versions, made over many decades or even centuries. This is achieved through a variety of means, such as changes in the wax, new moulds taken from an existing bronze or the reuse of the existing model. This figure of a boar together with inv. no. A.153-1910 look almost identical. One is a fine, hollow cast (inv. no. A.153-1910), probably from the workshop of Antonio Susini, one of Giambologna’s most skilled assistants. This figure, however, is an ‘aftercast’, so called because it was cast from a mould taken from an existing bronze. The cast is solid and on the base are the outlines of the original hollow cast from which it was taken.


Object details

Categories
Object type
Titles
  • The Florentine Boar (generic title)
  • Porcellino (popular title)
Materials and techniques
Cast bronze
Brief description
Statuette, bronze, of the Florentine boar, after Antonio Susini, Italian, second half of the 19th or early 20th century
Physical description
Boar resting on its hind legs. Signed under the belly: (A)NT.SUSINI.F.
Dimensions
  • Height: 16.4cm
Marks and inscriptions
'(A)NT.SUSINI.F.' (Under the belly)
Credit line
Given by Dr W. L. Hildburgh FSA
Object history
Given by Dr. W. L. Hildburgh, F. S. A., 1960
Subject depicted
Summary
Bronzes often exist in a number of versions, made over many decades or even centuries. This is achieved through a variety of means, such as changes in the wax, new moulds taken from an existing bronze or the reuse of the existing model. This figure of a boar together with inv. no. A.153-1910 look almost identical. One is a fine, hollow cast (inv. no. A.153-1910), probably from the workshop of Antonio Susini, one of Giambologna’s most skilled assistants. This figure, however, is an ‘aftercast’, so called because it was cast from a mould taken from an existing bronze. The cast is solid and on the base are the outlines of the original hollow cast from which it was taken.
Associated object
A.153-1910 (Original)
Bibliographic references
  • Martini, Luciana. Piccoli bronzi e placchette del Museo Nazionale di Ravenna. Bologna: University Press, 1985, pp. 113-114, no. 66
  • Motture, Peta. The Culture of Bronze. Making and Meaning in Italian Renaissance Sculpture. London: V&A Publications, 2019, p.134
Collection
Accession number
A.1-1960

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Record createdJanuary 15, 2004
Record URL
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