Not currently on display at the V&A

Boy supporting a shell

Ink-Well
1500-1525 (made)
Artist/Maker
Place of origin

Severo was described by a contemporary as ‘the perfect sculptor’. His small bronzes were replicated in great numbers and his many patrons included Isabella d’Este, the Marchesa of Mantua and a discerning collector. This bronze was probably part of a writing set, with the shell used as an inkwell.

Severo da Ravenna or Severo di Domenico Calzetta da Ravenna was an Italian sculptor, active ca. 1496, who died in ca. 1543. His father was probably a sculptor and he may have been related to the two painters of the same name working in the circle of Mantegna in Padua: Pietro Calzetta and Francesco Calzetta. Severo might have divided his time between Padua, Ferrara and Ravenna, where he was first recorded in 1496.


Object details

Categories
Object type
TitleBoy supporting a shell (generic title)
Materials and techniques
Bronze
Brief description
Ink-well, bronze, of a boy supporting a shell, Italian (Padua), 1500-1525
Physical description
Small boy dressed in a short tunic carrying a huge shell on his back.
Dimensions
  • Height: 10.7cm
  • Weight: 0.5kg
Credit line
Bequeathed by Dr W. L. Hildburgh FSA
Object history
Given by Dr. W. L. Hildburgh, F. S. A., 1956.
Subjects depicted
Summary
Severo was described by a contemporary as ‘the perfect sculptor’. His small bronzes were replicated in great numbers and his many patrons included Isabella d’Este, the Marchesa of Mantua and a discerning collector. This bronze was probably part of a writing set, with the shell used as an inkwell.

Severo da Ravenna or Severo di Domenico Calzetta da Ravenna was an Italian sculptor, active ca. 1496, who died in ca. 1543. His father was probably a sculptor and he may have been related to the two painters of the same name working in the circle of Mantegna in Padua: Pietro Calzetta and Francesco Calzetta. Severo might have divided his time between Padua, Ferrara and Ravenna, where he was first recorded in 1496.
Bibliographic references
  • Avery, Charles. Renaissance and Baroque Bronzes in the Frick Art Museum, Pittsburgh, 1993, cat. nos. 3 & 4, pp. 50-52
  • The Rival of Nature : Renaissance painting in its context, London : National Gallery, 1975 127
Collection
Accession number
A.65-1956

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Record createdJanuary 15, 2004
Record URL
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