Princess Charlotte Augusta thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 111, The Gilbert Bayes Gallery

Princess Charlotte Augusta

Relief
1817 (made)
Artist/Maker
Place of origin

Portraits in ivory were fashionable in the 17th and 18th centuries. Generally elephant or walrus ivory was used. Since the pieces were limited in size the portraits tended to be small, yet they could still be monumental in form. The subject of this relief Princess Charlotte, was the daughter of George IV. She died in childbirth. The ivory is made by John Kelly in 1817 in Britain, and artist of whom little is known.


Object details

Categories
Object type
TitlePrincess Charlotte Augusta (generic title)
Materials and techniques
Carved ivory
Brief description
Relief, ivory, profile portrait of Princess Charlotte Augusta of Wales, by John Kelly, British, 1817
Physical description
Shown in profile to the left. Her hair is drawn up into a knot and curls on the top of her head with rows of tight curls combed down to form a fringe on her forehead. She wears a low cut gown with narrow bands of embroidery round the décolletage and the waist; a mantle is draped round the shoulders. Round the neck a string of large pearls. Signed and dated.
Dimensions
  • Height: 9.3cm
Marks and inscriptions
'John Kelly Sculp. 1817' (on the flat back)
Credit line
Given by W. L. Hildburgh FSA
Object history
Given by Dr W.L Hildburgh, F.S.A. in 1938.
Subjects depicted
Summary
Portraits in ivory were fashionable in the 17th and 18th centuries. Generally elephant or walrus ivory was used. Since the pieces were limited in size the portraits tended to be small, yet they could still be monumental in form. The subject of this relief Princess Charlotte, was the daughter of George IV. She died in childbirth. The ivory is made by John Kelly in 1817 in Britain, and artist of whom little is known.
Bibliographic references
  • Review [1911-1938], Victoria & Albert Museum. Review of the Principal Acquisitions during the Year, London, 1938, p. 5
  • Trusted, Marjorie, Baroque & Later Ivories, Victoria & Albert Museum, London, 2013, cat. no. 164
Collection
Accession number
A.21-1938

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Record createdJanuary 12, 2004
Record URL
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