A cow thumbnail 1
A cow thumbnail 2

A cow

Intaglio
1775-1810 (made)
Artist/Maker
Place of origin

The art of engraving gemstones has been admired since the early days of the Roman empire. It was revived in Europe during the Renaissance, and again in the 18th and 19th centuries. Cameos and intaglios were prized and collected, sometimes as symbols of power and mounted in jewelled settings, sometimes as small objects for private devotion or enjoymentBurch was one of the most celebrated gem engravers of 18th-century England. His aim was to emulate the great engravers of ancient Greece and Rome, whose work was becoming known through archaeological excavation and purchases made on the Grand Tour. On this intaglio the signature is inverted, suggesting that it was intended for use as a seal.

Object details

Category
Object type
TitleA cow (generic title)
Materials and techniques
Carnelian
Brief description
Carnelian by Edward Burch, made in England, 1775-1810.
Physical description
Carnelian intaglio of a cow. The standing figure of a cow with long curving horns, the ground roughly indicated. Signed under the animal 'BURCH- R.A.'
Credit line
Given by Mrs Ashby
Object history
Given by Mrs Ashby.
Subject depicted
Summary
The art of engraving gemstones has been admired since the early days of the Roman empire. It was revived in Europe during the Renaissance, and again in the 18th and 19th centuries. Cameos and intaglios were prized and collected, sometimes as symbols of power and mounted in jewelled settings, sometimes as small objects for private devotion or enjoymentBurch was one of the most celebrated gem engravers of 18th-century England. His aim was to emulate the great engravers of ancient Greece and Rome, whose work was becoming known through archaeological excavation and purchases made on the Grand Tour. On this intaglio the signature is inverted, suggesting that it was intended for use as a seal.
Bibliographic references
  • cf. Dalton, Catalogue of the Engraved Gems of the Post Classical periods. 1915. Nos. 1132, 1133.
  • Trusted, Marjorie. ed. The Making of Sculpture. The Materials and Techniques of European Sculpture. London. 2007. p.148. pl. 283.
Collection
Accession number
A.30-1934

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Record createdJanuary 12, 2004
Record URL
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