Samson and Delilah thumbnail 1
Samson and Delilah thumbnail 2
+2
images
Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 111, The Gilbert Bayes Gallery

Samson and Delilah

Tableman
ca. 1130-1140 (made)
Artist/Maker
Place of origin

Backgammon appears to have been a favourite game amongst the nobility and game sets were taken on the Crusades. This piece shows Samson lying horizontally, while a manservant hands over a pair of shears to Deliliah to cut off his hair. There are three pieces executed in a very similar style also with scenes from the history of Samson, in New York, Florence and Paris.
This pieces must have belonged to a set of tablemen with scenes from the story of Samson, opposed by pieces devoted to the legend of Hercules. The facial features of all three figures, but especially those of Delilah, should be compared with the similar figures in the historiated initials of the St Albans Psaltar of c. 1130 and other ivories of English origin, such as V&A Inv. Nos. A. 20-1961, 375-1871 and A. 27-1977. Its border decoration is not to be found on any other gaming piece.


Object details

Categories
Object type
TitleSamson and Delilah (generic title)
Materials and techniques
Walrus ivory
Brief description
Tableman, walrus ivory, depicting Samson and Delilah, probably England (possibly St. Albans), ca. 1130-40
Physical description
In the foreground Samson is lying horizontally at full length, his head resting on the lap of the seated Delilah; from the right her manservant advances towards her with a pair of shears which she is about to take from him. Narrow formal leaf border interrupted by lines of beading radially disposed. The ivory shows evidence of red staining.
Dimensions
  • Diameter: 6.7cm
  • Greatest thickness: 1.9cm
Credit line
Purchased under the Bequest of Mr Francis Reubell Bryan
Object history
Purchased from T.F. Wilson, London, £75.
This pieces must have belonged to a set of tablemen with scenes from the story of Samson, opposed by pieces devoted to the legend of Hercules.

Historical significance: The facial features of all three figures, but especially those of Delilah, should be compared with the similar figures in the historiated initials of the St Albans Psaltar of c. 1130 and other ivories of English origin, such as V&A Inv. Nos. A. 20-1961, 375-1871 and A. 27-1977. Its border decoration is not to be found on any other gaming piece.
Subjects depicted
Summary
Backgammon appears to have been a favourite game amongst the nobility and game sets were taken on the Crusades. This piece shows Samson lying horizontally, while a manservant hands over a pair of shears to Deliliah to cut off his hair. There are three pieces executed in a very similar style also with scenes from the history of Samson, in New York, Florence and Paris.
This pieces must have belonged to a set of tablemen with scenes from the story of Samson, opposed by pieces devoted to the legend of Hercules. The facial features of all three figures, but especially those of Delilah, should be compared with the similar figures in the historiated initials of the St Albans Psaltar of c. 1130 and other ivories of English origin, such as V&A Inv. Nos. A. 20-1961, 375-1871 and A. 27-1977. Its border decoration is not to be found on any other gaming piece.
Bibliographic references
  • Beckwith, J. 'A Game of Draughts' Munich. Hermer. 1965. pp.31, 32. fig. 3
  • Mann, Vivian. Romanesque Ivory Tablenea New York University. PhD Dissertation. 1977.
  • Williamson, Paul. The Medieval Treasury London. Victoria and Albert Museum. 1986. pp.112-3
  • Williamson, Paul. Medieval Ivory Carvings. Early Christian to Romanesque. London, V&A Publishing, Victoria and Albert Museum, 2010, p. 421 , cat.no. 109
Collection
Accession number
A.3-1931

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJanuary 9, 2004
Record URL
Download as: JSONIIIF Manifest