Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 139, The Curtain Foundation Gallery

Vase and Cover

ca. 1770-1771 (made)
Artist/Maker
Place of origin

Vase of porcelain painted in enamel colours and gilded. With raised gilt swirls on foot, two gilt double-scroll handles and gilt scrolled handle on cover. Maroon/dark pink ground with central white reserve with painted flowers including rose and pansy. The reserve on the opposite side is painted with lovers by an urn, with two cupids with flame and arrow. The man removes his mask and puts down his watering-can and staff.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Vase
  • Cover
Materials and techniques
Thrown and turned porcelain painted in enamel colours and gilded
Brief description
Vase and cover, enamelled and gilt soft-paste porcelain, probably manufactured by William Duesbury & Co., Derby or Chelsea, c. 1770-71
Physical description
Vase of porcelain painted in enamel colours and gilded. With raised gilt swirls on foot, two gilt double-scroll handles and gilt scrolled handle on cover. Maroon/dark pink ground with central white reserve with painted flowers including rose and pansy. The reserve on the opposite side is painted with lovers by an urn, with two cupids with flame and arrow. The man removes his mask and puts down his watering-can and staff.
Dimensions
  • Height: 38.8cm
  • Width: 29cm
  • Diameter: 15.8cm
Content description
The source for the scene of erotic disguise from classical mythology is a plate entitled ‘Vertumne metamorphose en vieille, rend Pomone sensible à son amour, malgré l’indifference q’elle affectoit’, after François Boucher (1703-1770), engraved by Jean Jacques Leveau (1729-1786) Augustin de Saint-Aubin (1736-1807) from Les métamorphoses d'Ovide : en latin et en françois, avec des explications historiques, Livre XIV - Fable 9, Paris, 1771.

A version of the engraving is held in the Metropolitan Museum of Art collection, accession no. 17.3.1702
Marks and inscriptions
indistinct but including numbers "12" and "14" (ink)
Subjects depicted
Bibliographic references
  • Mallet, J.V.G., 'Chelsea Gold Anchor Vases, I: The Forms', English Ceramic Circle Transactions, Vol.17, Part 1, 1999, p. 142
  • Nightingale, James Edward, Contributions towards the history of early English porcelain: From contemporary sources, (Salisbury: Bennett Brothers, 1881), pp. 34 & 45
Collection
Accession number
C.175:1, 2-2003

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Record createdJanuary 8, 2004
Record URL
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