The Two Maries at the sepulchre thumbnail 1
The Two Maries at the sepulchre thumbnail 2
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Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 111, The Gilbert Bayes Gallery

The Two Maries at the sepulchre

Panel
ca. 1320 (made)
Artist/Maker
Place of origin

This is an ivory panel relief representing two Maries at the Sepulchre, made in ca. 1320 in France, Paris. Shortly after its discovery this ivory relief was associated with four other reliefs from the Passion, all of similar dimensions, but being the work of more than one sculptor and having originated from a number of different ensembles. The present relief seems to have been cut down at the bottom.
Ivory was used all over Europe for religious works of art. It was often combined with precious metals and usually took the form of relief panels, for book covers, portable altars and caskets. An almost unbroken tradition of ivory carving extends from the Roman and Byzantine empires until the end of the 14th century. From about 1250, Paris became the centre of production for figures and reliefs intended for private devotion. This panel was probably originally from an altarpiece.


Object details

Categories
Object type
TitleThe Two Maries at the sepulchre (generic title)
Materials and techniques
Elephant ivory in high relief with traces of gilded ornament on the draperies
Brief description
Panel, ivory relief with traces of gilding, Two Maries a the Sepulchre, France (Paris), ca. 1320
Physical description
The two women stand beside the tomb holding their pots of ointments. They are shown, in half-length, standing behind the tomb of Christ. Both wear short veils ojn their heads. The woman on the right looks down, with her right hand on the chest, while the figure on the left turns her head away and raises her left hand in alarm. The discarded winding-sheet of Christ overlaps the front edge of the tomb. The relief seems to have been cut down at the bottom.
Dimensions
  • Height: 13cm
  • At base width: 10.6cm (Note: the measurements of 11 x 9 cm given in all previous publications repeat the mystifying initial error of Maclagan in 1922)
Credit line
Gift of Mr H. Harris through Art Fund
Object history
In the possession of Henry Harris, London, in 1921; according to Eric Maclagan, the relief 'into his possession by bequest, and nothing is known of its previous history'. Given by Mr Harris, throught the National Art Collections Fund, in 1927, having been on loan since 1921.
Production
Paris School
Subjects depicted
Summary
This is an ivory panel relief representing two Maries at the Sepulchre, made in ca. 1320 in France, Paris. Shortly after its discovery this ivory relief was associated with four other reliefs from the Passion, all of similar dimensions, but being the work of more than one sculptor and having originated from a number of different ensembles. The present relief seems to have been cut down at the bottom.
Ivory was used all over Europe for religious works of art. It was often combined with precious metals and usually took the form of relief panels, for book covers, portable altars and caskets. An almost unbroken tradition of ivory carving extends from the Roman and Byzantine empires until the end of the 14th century. From about 1250, Paris became the centre of production for figures and reliefs intended for private devotion. This panel was probably originally from an altarpiece.
Bibliographic references
  • Longhurst, Margaret H. Catalogue of Carvings in Ivory. London: Published under the Authority of the Board of Education, 1929, Part II, p. 15
  • Koechlin, R., Les Ivoires gothiques français, 3 vols, Paris, 1924 (reprinted Paris 1968) Vol 1, pp. 142-44; Vol 2 cat. no. 228, Vol 3, pl. LX
  • Review [1911-1938], Victoria & Albert Museum. Review of the Principal Acquisitions during the Year, London, 1912-1939 1927, pp. 6-7, fig. 2
  • Gaborit-Chopin, Danielle. Ivoires Médiévaux, V-XV siècle. Paris, 2003 p. 365
  • Williamson, Paul and Davies, Glyn, Medieval Ivory Carvings, 1200-1550, (in 2 parts), V&A Publishing, Victoria and Albert Museum, London, 2014 part 1, pp. 114-117
  • Williamson, Paul and Davies, Glyn, Medieval Ivory Carvings, 1200-1550, (in 2 parts), V&A Publishing, Victoria and Albert Museum, London, 2014, part 1, pp. 114-117, cat. no. 34
Collection
Accession number
A.99-1927

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Record createdJanuary 8, 2004
Record URL
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