The Assumption of the Virgin thumbnail 1
The Assumption of the Virgin thumbnail 2
Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 111, The Gilbert Bayes Gallery

The Assumption of the Virgin

Statuette
ca. 1720-1730 (made)
Artist/Maker
Place of origin

Semi-precious materials such as this often associated with a particular geographical region and highly valued because of their rarity. Many of the religious objects were portable, as were the small portraits. They were often made near to the source of the material and then taken elsewhere. This was made in Trapani, a town in Sicily that became the most important centre of coral carving in Europe. The Assumption of the Virgin, in which the Virgin ascended bodily and spiritually to heaven after her death, was a popular subject in Mediterranean countries at this period.


Object details

Categories
Object type
TitleThe Assumption of the Virgin (generic title)
Materials and techniques
Carved coral, in silver frame
Brief description
Assumption of the Virgin, coral relief, Sicily (Trapani), frame Naples, ca. 1720-30
Physical description
Statuette in coral of the Assumption of the Virgin in its original frame with Naples hall mark. The Virgin stands on a crescent supported by cherubs.
Dimensions
  • Height: 4.5in
  • Width: 2in
  • Frame height: 6.75in
  • Frame width: 4in
Credit line
Bequeathed by Henry L. Florence
Subjects depicted
Summary
Semi-precious materials such as this often associated with a particular geographical region and highly valued because of their rarity. Many of the religious objects were portable, as were the small portraits. They were often made near to the source of the material and then taken elsewhere. This was made in Trapani, a town in Sicily that became the most important centre of coral carving in Europe. The Assumption of the Virgin, in which the Virgin ascended bodily and spiritually to heaven after her death, was a popular subject in Mediterranean countries at this period.
Bibliographic references
  • Trusted, Majorie. ed. The Making of Sculpture: the Materials and Techniques of European Sculpture. London: V&A Publications, 2007. p. 143. pl. 265.
  • Theuerkauff, Christian, ed. Die Bildwerke in Elfenbein des 16. - 19. Jahrhunderts. (Die Bildwerke der Skulpturengalerie Berlin.) Berlin, Mann, 1986. p. 358, p. 361. note. 53a.
Collection
Accession number
A.31-1917

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Record createdJanuary 7, 2004
Record URL
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