The Florentine Boar thumbnail 1
The Florentine Boar thumbnail 2
+1
images
Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 111, The Gilbert Bayes Gallery

The Florentine Boar

Statuette
ca. 1580-1650 (made)
Artist/Maker
Place of origin

Bronzes often exist in a number of versions, made over many decades or even centuries. This is achieved through a variety of means, such as changes in the wax, new moulds taken from an existing bronze or the reuse of the existing model. This figure of a boar and inv.no. A.1-1960 look almost identical. This figure is a fine, hollow cast, probably from the workshop of Antonio Susini, one of Giambologna’s most skilled assistants. The other (inv.no. A.1-1960), however, is an ‘aftercast’, so called because it was cast from a mould taken from an existing bronze. The cast is solid and on the base are the outlines of the original hollow cast from which it was taken.


Object details

Category
Object type
Titles
  • The Florentine Boar (generic title)
  • Porcellino (popular title)
Materials and techniques
Bronze
Brief description
Statuette, bronze, The Florentine boar, probably by the workshop of Antonio Susini and Giovan Francesco Susini, Florence, late 16th or early 17th century
Physical description
Figure in bronze of the Florentine Boar. The boar, open-mouthed, is half raising on his fore feet, his left haunch still resting on the ground. Imitated from the antique bronze figure formerly in the Mercato Vecchio. Clear brown patina. On a wooden base.
Dimensions
  • Height: 16.5cm
  • Length: 8cm
Credit line
Salting Bequest
Object history
From the Salting Bequest.
Subject depicted
Summary
Bronzes often exist in a number of versions, made over many decades or even centuries. This is achieved through a variety of means, such as changes in the wax, new moulds taken from an existing bronze or the reuse of the existing model. This figure of a boar and inv.no. A.1-1960 look almost identical. This figure is a fine, hollow cast, probably from the workshop of Antonio Susini, one of Giambologna’s most skilled assistants. The other (inv.no. A.1-1960), however, is an ‘aftercast’, so called because it was cast from a mould taken from an existing bronze. The cast is solid and on the base are the outlines of the original hollow cast from which it was taken.
Associated object
A.1-1960 (Aftercast)
Bibliographic references
  • 'Salting Bequest (A. 70 to A. 1029-1910) / Murray Bequest (A. 1030 to A. 1096-1910)'. In: List of Works of Art Acquired by the Victoria and Albert Museum (Department of Architecture and Sculpture). London: Printed under the Authority of his Majesty's Stationery Office, by Eyre and Spottiswoode, Limited, East Harding Street, EC, p. 14
  • Martini, Luciana. Piccoli bronzi e placchette del Museo Nazionale di Ravenna : novembre 1985-marzo 1986. [Roma] : Ministero per i beni culturali e ambientali, Soprintendenza per i beni ambientali e architettonici, Ravenna, [1985], pp.113-114, no. 66.
  • Trusted, Marjorie, ed. The Making of Sculpture. The Materials and Techniques of European Sculpture. London: 2007, p. 63, pl. 103
  • Motture, Peta. The Culture of Bronze. Making and Meaning in Italian Renaissance Sculpture. London: V&A Publications, 2019, p.134
Collection
Accession number
A.153-1910

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJanuary 6, 2004
Record URL
Download as: JSONIIIF Manifest