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Study of Galatea for The Hand Refrains

Drawing
1868-1869 (made)
Artist/Maker
Place of origin

Galatea was the sculpture in Ovid's legend of Pygmalion that was transformed into a living woman through the intervention of the goddess Venus. The Hand Refrains was the second in a series of four oil paintings by Burne-Jones. They were each derived from proposed illustrations to William Morris's retelling of the story in The Earthly Paradise. The paintings were titled by Morris, the others being The Heart Desires, The Godhead Fires and The Soul Attains. Burne-Jones made two versions of the series. This drawing relates to the earlier one made for Euphrosyne Cassavetti, mother of Maria Zambaco, a leading light in London's Greek community to whom he was romantically attached. Although classical in feeling, it appears to have been drawn from life.


Object details

Categories
Object type
TitleStudy of Galatea for <i>The Hand Refrains</i> (generic title)
Materials and techniques
Pencil on paper
Brief description
Study of Galatea for The Hand Refrains, Edward Burne Jones, 1868-1869, England.
Physical description
Pencil on paper, study of a female nude
Dimensions
  • Height: 25cm
  • Width: 18cm
Style
Subjects depicted
Literary references
  • Pygmalion
  • The Earthly Paradise
Summary
Galatea was the sculpture in Ovid's legend of Pygmalion that was transformed into a living woman through the intervention of the goddess Venus. The Hand Refrains was the second in a series of four oil paintings by Burne-Jones. They were each derived from proposed illustrations to William Morris's retelling of the story in The Earthly Paradise. The paintings were titled by Morris, the others being The Heart Desires, The Godhead Fires and The Soul Attains. Burne-Jones made two versions of the series. This drawing relates to the earlier one made for Euphrosyne Cassavetti, mother of Maria Zambaco, a leading light in London's Greek community to whom he was romantically attached. Although classical in feeling, it appears to have been drawn from life.
Bibliographic references
  • Fagence Cooper, Suzanne, Pre Raphaelite Art in the Victoria & Albert Museum, London, V&A Publications, 2003. 176p., ill. ISBN I 85177 393 2
  • Taken from the Departmental Circulation Register 1958
Collection
Accession number
CIRC.81-1958

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Record createdJanuary 6, 2004
Record URL
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