Evening Jacket thumbnail 1
Not currently on display at the V&A

Evening Jacket

late 1937 (designed)
Artist/Maker
Place of origin

Elsa Schiaparelli often used classic tailored jackets as a perfect foil for her gloriously adventurous embroideries. Her clothes were smart, sophisticated and often wildly eccentric, and she had a huge following. Her ideas, coupled with designs she commissioned from famous artists, were carried out with considerable skill. Salvador Dalí, Christian Bérard and Jean Cocteau, for example, designed fabrics and accessories. Jean Schlumberger produced costume jewellery and buttons. Art movements such as Cubism and Surrealism influenced her designs. She used tweed to make evening wear and hessian for dresses. She dyed furs, put padlocks on suits and popularised Tyrolean peasant costume.

This jacket shows how Schiaparelli used historical and traditional embroideries, including magnificent ecclesiastical vestments, as sources of inspiration. Its resplendent appeal lies in the rich juxtaposition of shining metal embroidery set against the dark, imperial purple velvet. The large-scale floral pattern is worked in tinted metal strips over thick pads. A typical Schiaparelli touch is the button moulded in the shape of a swan which fastens the jacket fronts together.

Schiaparelli's creations illustrate her wholehearted efforts to unite the best of the fine and decorative arts. She breathed new life into largely forgotten skills to achieve stunning effects. She was fearless and used deliberately provocative combinations of old and new techniques and materials.


Object details

Categories
Object type
Materials and techniques
Embroidered silk velvet with tinted metal strips, lined with silk crêpe, carved composition, brass
Brief description
Evening jacket of embroidered silk velvet, designed by Elsa Schiaparelli, France, Winter 1937-38
Physical description
Evening jacket of embroidered purple silk velvet with tinted metal strips. Fitted and is hip length. It has wide pointed front revers reaching to the waist where the jacket fastens with a swan of carved composition over a brass metal hook and bar. The revers and forearms are covered with a formal floral pattern in padded lilac strip embroidery. The jacket is lined with purple silk crêpe.
Marks and inscriptions
Schiaparelli label (Stitched below the right arm)
Credit line
Given by Madame Elsa Schiaparelli
Object history
Published pg. 120 Modern Fashion in Detail
Donated to V&A by Schiaparelli
Met has a similar jacket (museum number: 2009.300.1167a)
Photo Notes:
Button detail: swan button

Jan G. Reeder, Curator, The Costume Institute, The Metropolitan Museum of Art
Taken May, 2011, Compiled September, 2011

Summary
Elsa Schiaparelli often used classic tailored jackets as a perfect foil for her gloriously adventurous embroideries. Her clothes were smart, sophisticated and often wildly eccentric, and she had a huge following. Her ideas, coupled with designs she commissioned from famous artists, were carried out with considerable skill. Salvador Dalí, Christian Bérard and Jean Cocteau, for example, designed fabrics and accessories. Jean Schlumberger produced costume jewellery and buttons. Art movements such as Cubism and Surrealism influenced her designs. She used tweed to make evening wear and hessian for dresses. She dyed furs, put padlocks on suits and popularised Tyrolean peasant costume.

This jacket shows how Schiaparelli used historical and traditional embroideries, including magnificent ecclesiastical vestments, as sources of inspiration. Its resplendent appeal lies in the rich juxtaposition of shining metal embroidery set against the dark, imperial purple velvet. The large-scale floral pattern is worked in tinted metal strips over thick pads. A typical Schiaparelli touch is the button moulded in the shape of a swan which fastens the jacket fronts together.

Schiaparelli's creations illustrate her wholehearted efforts to unite the best of the fine and decorative arts. She breathed new life into largely forgotten skills to achieve stunning effects. She was fearless and used deliberately provocative combinations of old and new techniques and materials.
Collection
Accession number
T.51-1965

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Record createdJanuary 6, 2004
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