The Judgement of Paris thumbnail 1
The Judgement of Paris thumbnail 2
+1
images
Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 111, The Gilbert Bayes Gallery

The Judgement of Paris

Figure Group
1690-1700 (made)
Artist/Maker
Place of origin

This is an amber group made by the German artist Christoph Maucher (1642- after 1701) in about 1690-1700, probably in Danzig (Gdańsk). Throughout the ages artists and craftsmen have made virtuoso carvings as a display of their skill and ingenuity. Although ivory, wood and stone are relatively easy to carve, other materials such as gemstones are much more demanding. Most of these carvings were made for wealthy patrons and collectors, who delighted in the rarity of the material and quality of the carving. Paris presents the apple to Venus, declaring her the most beautiful of the three goddesses. The other two, Minerva and Juno, stand behind, flanking Mercury. This amber group would have been placed originally on top of an amber casket.
This is one of the finest ambers in the collection. The imaginary landscape suggests and Oriental influence, which may have been inspired by engravings. The slightly awkward but charming tone of the piece is typical of Maucher, who was and amber and ivory carver who undertook commissions for the Brandenburg Court in Berlin.


Object details

Categories
Object type
TitleThe Judgement of Paris (generic title)
Materials and techniques
Amber on a wooden core with modern plastic restorations on socle
Brief description
Group, amber, The Judgement of Paris, by Christoph Maucher (German), probably made in Danzig (modern Gdańsk), Royal Prussia, Polish-Lithuanian Commonwealth, ca. 1690-1700
Physical description
This figure-group probably originally formed the decorative crowning piece of an amber cabinet. The figures of Paris and Venus are seated with Cupid between them, in front of Juno, Mercury and Minerva. The right arm of Juno, the tips of the fingers of her left hand, and the top of her crown are missing. Minerva's and Venus's right index fingers are missing, and the top of Minerva's lance is lost. The putti medallions on the socle are slightly chipped. Some amber panels on the socle are missing, some replaced by plastic. Surface cracking has occurred on a number of the clear amber panels on the socle.
Carved from one large piece of opaque and red amber, with three additional pieces of similar amber carved with flowers and grass cut to fit round, and glued onto the base of the of the group. The socle is formed of amber slabs glued to a wooden core. In the centre of each concave side of the socle is a medallion of a putto in acanthus leaves. On either side of those is at the front and back is an oval landscape scene.
Dimensions
  • Height: 19.7cm
  • Width: 19.5cm
  • Depth: 11cm
Object history
Bought from Mrs Matthew Marshall in 1873.
Subjects depicted
Summary
This is an amber group made by the German artist Christoph Maucher (1642- after 1701) in about 1690-1700, probably in Danzig (Gdańsk). Throughout the ages artists and craftsmen have made virtuoso carvings as a display of their skill and ingenuity. Although ivory, wood and stone are relatively easy to carve, other materials such as gemstones are much more demanding. Most of these carvings were made for wealthy patrons and collectors, who delighted in the rarity of the material and quality of the carving. Paris presents the apple to Venus, declaring her the most beautiful of the three goddesses. The other two, Minerva and Juno, stand behind, flanking Mercury. This amber group would have been placed originally on top of an amber casket.
This is one of the finest ambers in the collection. The imaginary landscape suggests and Oriental influence, which may have been inspired by engravings. The slightly awkward but charming tone of the piece is typical of Maucher, who was and amber and ivory carver who undertook commissions for the Brandenburg Court in Berlin.
Bibliographic references
  • Williamson, Paul (ed.). European sculpture at the Victoria and Albert Museum. London: Victoria and Albert Museum, 1996, p. 145
  • Trusted, Marjorie. Catalogue of European Ambers in the Victoria and Albert Museum. London : Victoria and Albert Museum, 1985, p. 140, pl. 259
  • List of Objects in the Art Division, South Kensington, Acquired During the Year 1873, Arranged According to the Dates of Acquisition. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., p. 64
  • Trusted, Marjorie. Four Amber Statuettes by Christoph Maucher. Bruckmanns Pantheon. 42, 1984, pp. 245-250
  • Verres, Rudolf. Der Elfenbein- und Bernsteinschnitzer Christoph Maucher. Pantheon. 12, 1933, pp. 244-248
  • Trusted, Marjorie. Catalogue of European ambers in the Victoria and Albert Museum. London: Victoria and Albert Museum, 1985, cat. no. 12
  • Ehmer, A. Die Maucher. Schwäbisch Gmünd, 1992, pp. 90-91
Collection
Accession number
1059-1873

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJanuary 5, 2004
Record URL
Download as: JSONIIIF Manifest