Image of Gallery in South Kensington
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Madonna

Lithograph
1895 (made)
Artist/Maker
Place of origin

This image expresses Munch's ambivalent attitude to women, whom he saw as seductive and powerful, but dangerous and deathly. Here the woman embodies the virgin/whore duality; she is simultaneously a haloed Madonna, but flaunts a sensual provocative nakedness emphasised by her luxuriant hair. A foetus crouching in the bottom left corner symbolises the woman as fertile mother, and the image is framed with representations of sperm, but this is a vision of a predatory feminity rather than a nurturing motherhood. For Munch sex and death were fused in the bodies of women.


Object details

Categories
Object type
TitleMadonna (generic title)
Materials and techniques
Lithograph
Brief description
Lithograph Madonna by Edvard Munch, Norwegian, 1895
Physical description
Lithograph
Dimensions
  • Height: 67.5cm
  • Width: 50cm
Styles
Subjects depicted
Summary
This image expresses Munch's ambivalent attitude to women, whom he saw as seductive and powerful, but dangerous and deathly. Here the woman embodies the virgin/whore duality; she is simultaneously a haloed Madonna, but flaunts a sensual provocative nakedness emphasised by her luxuriant hair. A foetus crouching in the bottom left corner symbolises the woman as fertile mother, and the image is framed with representations of sperm, but this is a vision of a predatory feminity rather than a nurturing motherhood. For Munch sex and death were fused in the bodies of women.
Bibliographic reference
Greenhalgh, Paul (Ed.), Art Nouveau: 1890-1914 . London: V&A Publications, 2000
Collection
Accession number
E.582-1980

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Record createdDecember 29, 2003
Record URL
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