The Transfiguration thumbnail 1
The Transfiguration thumbnail 2
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Image of Gallery in South Kensington
On display at V&A South Kensington
Medieval & Renaissance, Room 8, The William and Eileen Ruddock Gallery

The Transfiguration

Book Cover
ca. 870-880 (made)
Artist/Maker
Place of origin

This is one of two ivory plaques, probably from a book cover, made in Lorraine (Metz) in about 870-880. This plaque shows the Transfiguration, while the other (Mus. no. 255-1867) would show Christ healing the Leper and the Blind.
During the period 900-1200, ivories were produced all over Europe, often in monasteries and ecclesiastical or royal courts. The pieces were used for liturgical purposes. Ivory carvings appeared on book covers, reliquary caskets, antependia (the panel in front of an altar) and religious icons. This was probably originally from a book cover.
The Transfiguration shows the moment when Christ made known his divine nature to his apostles Peter, James and John, in the presence of the Old Testament patriarchs Moses and Elijah. It took place on Mount Tabor in Galilee.
Melzak convincingly connected the plaques with the Later Metz ivory panels of the border of the 'Cathedra Petri' in Rome and dated them to 870- 80. Iconographically the scenes of the healing of the leper and the healing of the blind man may be compared with those on the contemporary plaques in Berlin and Würzburg and products in Metz.


Object details

Categories
Object type
TitleThe Transfiguration (generic title)
Materials and techniques
Elephant ivory carved in high relief
Brief description
Book cover, ivory, The Transfiguration, Carolingian, France, Lorraine (Metz), ca. 870-880
Physical description
The Transfiguration, panel in two compartments. Above Christ in a mandorla standing between Moses and Elias; below, the three adoring disciples point and cower in fear. The panel is surrounded by borders of foliage, itself contained inside a plain frame.
Dimensions
  • Height: 8.3cm
  • At bottom width: 5.8cm
  • At top width: 6cm
  • Depth: 0.5cm
  • Weight: 0.02kg
Measured fot thr Medieval and Renaissance Galleries
Style
Object history
NB. While the term 'the blind' has been used in this record, it has since fallen from usage and is now considered offensive. The term is repeated in this record in its original historical context.

Purchased from Webb, £25.
Subjects depicted
Summary
This is one of two ivory plaques, probably from a book cover, made in Lorraine (Metz) in about 870-880. This plaque shows the Transfiguration, while the other (Mus. no. 255-1867) would show Christ healing the Leper and the Blind.
During the period 900-1200, ivories were produced all over Europe, often in monasteries and ecclesiastical or royal courts. The pieces were used for liturgical purposes. Ivory carvings appeared on book covers, reliquary caskets, antependia (the panel in front of an altar) and religious icons. This was probably originally from a book cover.
The Transfiguration shows the moment when Christ made known his divine nature to his apostles Peter, James and John, in the presence of the Old Testament patriarchs Moses and Elijah. It took place on Mount Tabor in Galilee.
Melzak convincingly connected the plaques with the Later Metz ivory panels of the border of the 'Cathedra Petri' in Rome and dated them to 870- 80. Iconographically the scenes of the healing of the leper and the healing of the blind man may be compared with those on the contemporary plaques in Berlin and Würzburg and products in Metz.
Associated object
255-1867 (Set)
Bibliographic references
  • Lasko, Peter. Ars sacra: 800-1200. Harmondsworth: Penguin Books, 1972, pp. 78-9 and plate 68
  • Inventory of Art Objects acquired in the Year 1867. Inventory of the Objects in the Art Division of the Museum at South Kensington, arranged According to the Dates of their Acquisition. Vol. 1. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 10
  • Longhurst, Margaret H. Catalogue of Carvings in Ivory. London: Published under the Authority of the Board of Education, 1927-1929, Part I, p. 68
  • Ribbert, Magaret. Untersuchungen zu den Elfenbeinarbeiten der älteren Metzer Gruppe.Witterschlick/Bonn: Verlag M. Wehle, 1992, p. 279, pl. 183
  • Williamson, Paul. Medieval Ivory Carvings. Early Christian to Romanesque. London, V&A Publishing, Victoria and Albert Museum, 2010, pp. 194-5, cat.no. 47
  • Les origines du Christianisme dans l'ancien évêché de Metz du IVe au XIIe siècle, Metz : Musées de Metz, 1966 no.158
Collection
Accession number
256-1867

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Record createdDecember 29, 2003
Record URL
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