Dr Arne
Print
1778 or 1784 (made)
1778 or 1784 (made)
Artist/Maker |
Line engraving involves cutting or scraping into a metal plate(usually copper) using a tool called a burin. Shaded areas of the resulting print are formed by scraping lines closer together or by hatching. This technique requires a great deal of skill because the burin is pushed along and into the surface of the plate: a steady hand is needed so that it does not slip and it must be held at the correct angle.
Thomas Arne (1710-1778) was one of the few English composers of prominence in the mid eighteenth century. He composed a number of operas, masques, orchestral works and music for plays, but is best known for the patriotic song ‘Rule Britannia’ from the masque Alfred (1740).
The artist Robert Dunkarton (1744-c.1811) was known for his portraits in oils and crayons and was a successful mezzotint engraver. His work was exhibited at the Society of Artists in 1768 and, between 1774 and 1779, at the Royal Academy. William Humphrey was an eighteenth-century mezzotint engraver born around 1740; he made engravings after portraitists such as Kneller and Reynolds.
This is a half-length portrait of Arne, who is shown in a fur-trimmed coat, holding a manuscript to denote his musical profession - it was common in portraits of this period to have some object which indicated the sitter’s profession. This engraving was produced after Arne’s death, probably as a book illustration.
Thomas Arne (1710-1778) was one of the few English composers of prominence in the mid eighteenth century. He composed a number of operas, masques, orchestral works and music for plays, but is best known for the patriotic song ‘Rule Britannia’ from the masque Alfred (1740).
The artist Robert Dunkarton (1744-c.1811) was known for his portraits in oils and crayons and was a successful mezzotint engraver. His work was exhibited at the Society of Artists in 1768 and, between 1774 and 1779, at the Royal Academy. William Humphrey was an eighteenth-century mezzotint engraver born around 1740; he made engravings after portraitists such as Kneller and Reynolds.
This is a half-length portrait of Arne, who is shown in a fur-trimmed coat, holding a manuscript to denote his musical profession - it was common in portraits of this period to have some object which indicated the sitter’s profession. This engraving was produced after Arne’s death, probably as a book illustration.
Object details
Categories | |
Object type | |
Title | Dr Arne (assigned by artist) |
Materials and techniques | Line engraving, ink on paper |
Brief description | Print. Half-length portrait of Thomas Arne (1710-1778) in a fur-trimmed coat. Engraving by William Humphrey after Robert Dunkarton, 1778 or 1784. |
Physical description | Portrait, half-length, in an oval border; wearing a fur-trimmed coat and holding a manuscript. |
Dimensions |
|
Styles | |
Marks and inscriptions | 'Dr. Arne' (Lettered) |
Object history | This engraving was produced after Arne’s death, probably as a book illustration. |
Subjects depicted | |
Summary | Line engraving involves cutting or scraping into a metal plate(usually copper) using a tool called a burin. Shaded areas of the resulting print are formed by scraping lines closer together or by hatching. This technique requires a great deal of skill because the burin is pushed along and into the surface of the plate: a steady hand is needed so that it does not slip and it must be held at the correct angle. Thomas Arne (1710-1778) was one of the few English composers of prominence in the mid eighteenth century. He composed a number of operas, masques, orchestral works and music for plays, but is best known for the patriotic song ‘Rule Britannia’ from the masque Alfred (1740). The artist Robert Dunkarton (1744-c.1811) was known for his portraits in oils and crayons and was a successful mezzotint engraver. His work was exhibited at the Society of Artists in 1768 and, between 1774 and 1779, at the Royal Academy. William Humphrey was an eighteenth-century mezzotint engraver born around 1740; he made engravings after portraitists such as Kneller and Reynolds. This is a half-length portrait of Arne, who is shown in a fur-trimmed coat, holding a manuscript to denote his musical profession - it was common in portraits of this period to have some object which indicated the sitter’s profession. This engraving was produced after Arne’s death, probably as a book illustration. |
Collection | |
Accession number | E.201-1902 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | June 30, 2009 |
Record URL |
Download as: JSON