Dish thumbnail 1
Dish thumbnail 2
+1
images

Dish

ca. 1550 (made)
Artist/Maker
Place of origin

This brass dish was a luxury display object designed to display the status of its owner. It is engraved with the coat of arms of the aristocratic Mocenigo family and was probably directly commissioned by one of its members.

The decoration you see here is typically found on brass wares made in Venice in the period 1500-1550. Both the technique and motifs were influenced by the objects brought back to the city by Venetian merchants trading with the Turkish and Arab empires that bordered the Mediterranean basin.

The local craftsmen adopted the deep, bold engraving seen on the Islamic models but only very occasionally used the silver inlay that was a speciality of the Saracen artists. They also incorporated more pictorial imagery into the decoration. Here the maker has used putti and dolphins associated with the European late Renaissance style.

Object details

Categories
Object type
Materials and techniques
Brass, engraved
Brief description
Brass dish extensivley engraved with strapwork and putti and the arms of the Mocenigo family, Venice, Italy, ca. 1550
Physical description
The arms of the Mocenigo family are on a cartouche in the centre of the dish, the rest of the bottom is filled with two putti and four winged female termi who merge into foliage. The rim is engraved with arabesques alternating with grotesque half-human figures each holding a dolphin in each hand.
Dimensions
  • Height: 6.2cm
  • Diameter: 44.5cm
  • Weight: 2.02kg
Measured for the Medieval and Renaissance Galleries
Credit line
Given by Dr W. L. Hildburgh FSA
Subjects depicted
Summary
This brass dish was a luxury display object designed to display the status of its owner. It is engraved with the coat of arms of the aristocratic Mocenigo family and was probably directly commissioned by one of its members.

The decoration you see here is typically found on brass wares made in Venice in the period 1500-1550. Both the technique and motifs were influenced by the objects brought back to the city by Venetian merchants trading with the Turkish and Arab empires that bordered the Mediterranean basin.

The local craftsmen adopted the deep, bold engraving seen on the Islamic models but only very occasionally used the silver inlay that was a speciality of the Saracen artists. They also incorporated more pictorial imagery into the decoration. Here the maker has used putti and dolphins associated with the European late Renaissance style.
Collection
Accession number
M.29-1946

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdDecember 16, 2003
Record URL
Download as: JSONIIIF Manifest