Lamp in the form of a grotesque monster thumbnail 1
Lamp in the form of a grotesque monster thumbnail 2
Image of Gallery in South Kensington
On display at V&A South Kensington
Medieval & Renaissance, Room 64, The Wolfson Gallery

Lamp in the form of a grotesque monster

Lamp
ca. 1510-1530 (made)
Artist/Maker
Place of origin

Cast in bronze, this lamp is probably dated to the second half of the sixteenth century, from Italy. An eccentric object, this oil lamp in the form of a grotesque monster, has a lion's body with a knobbly spine, a lion's legs and tale, a scaly dragon neck and a canine head. The spout forms within the jaws, with a channel for the wick inside; from this a square shaped channel runs through the body. The tail curls round to also form a handle or hanging ring, through which cord could have been run through; causing the lamp to hang at an absolute level, although how effectively this would have worked in practice is questionable. It could have been an antiquarian fantasy. In the Italian Renaissance lamps and heating devices were common in the home and the oil lamp symbolised life, which is probably why an almost identical version of this lamp is inscribed with the words: VITA QVID ALIVD ('Life, what else?').


Object details

Categories
Object type
TitleLamp in the form of a grotesque monster
Materials and techniques
Bronze and serpentine
Brief description
Lamp in shape of a grotesque dragon, North Italian, ca. 1500-1550.
Physical description
Lamp in the form of a grotesque monster or dragon, the mouth of which forms the burner. On serpentine plinth. A queer eccentric fancy, ably modelled. The tail, which has been broken and restored, curls over the back to form the handle.
Dimensions
  • Height: 11.3cm
  • Width: 16cm
  • Depth: 7.5cm
  • Weight: 0.78kg
Measured for the Medieval and Renaissance Galleries
Style
Object history
The V&A acquired this lamp in 1857, (source not documented). There is uncertainty over the attribution of this lamp; Fortnum catalogued it as Florentine sixteenth century in 1876. Bode later identified it as Venetian, about 1575. and in Draper's revised edition of Bode he classified it as 'probably Italian 17th or 18th century'. Sotheby's sold an almost identical version in 1980 as Paduan, early sixteenth century. In The Robert H. Smith Collection, Bronzes, 1500-1650 Anthony Radcliffe stated that none of these claims carry conviction, and finds it more plausible that the lamp is dated from the second half of the sixteenth century.

Historical significance: In the Italian Renaissance the oil lamp symbolised life, which is probably why an almost identical version of this lamp is inscribed with the words: VITA QVID ALIVD (‘Life, what else?’).
Historical context
The jaws of the monster are open, revealing the tongue which also serves as the spout, cast inside this is the channel for the wick, which runs back into the body. The tail curls and loops round to form the handle or ring for the lamp to be suspended from. A hook or cord could be passed though this ring, making it perfectly level, although there would have been difficulties in filling it with oil, apart from through the very limited conduit for the wick, and little space to allow for an adequate reservoir of oil. Therefore whether the lamp was actually used or is an antiquarian fantasy remains questionable.
Subjects depicted
Summary
Cast in bronze, this lamp is probably dated to the second half of the sixteenth century, from Italy. An eccentric object, this oil lamp in the form of a grotesque monster, has a lion's body with a knobbly spine, a lion's legs and tale, a scaly dragon neck and a canine head. The spout forms within the jaws, with a channel for the wick inside; from this a square shaped channel runs through the body. The tail curls round to also form a handle or hanging ring, through which cord could have been run through; causing the lamp to hang at an absolute level, although how effectively this would have worked in practice is questionable. It could have been an antiquarian fantasy. In the Italian Renaissance lamps and heating devices were common in the home and the oil lamp symbolised life, which is probably why an almost identical version of this lamp is inscribed with the words: VITA QVID ALIVD ('Life, what else?').
Bibliographic references
  • Fortnum, Charles Drury Edward. A descriptive catalogue of the bronzes of European origin in the South Kensington Museum. London : Printed by George E. Eyre and William Spottiswoode and sold by Chapman & Hall, 1876, p.164.
  • Bode, Wilhelm von and James David Draper. The Italian bronze statuettes of the Renaissance. New ed. / edited and rev. by James David Draper. New York : M. A. S. de Reinis, 1980, Pl. CLXVIII
  • Inventory of Art Objects Acquired in the Year 1857. In: Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 23.
  • Radcliffe, A. The Robert H. Smith Collection, Bronzes 1500-1650. London 1994, cat. 6, pp. 42-45.
Collection
Accession number
4409-1857

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdDecember 15, 2003
Record URL
Download as: JSONIIIF Manifest