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Not currently on display at the V&A

Sample

ca. 1851 (made)
Artist/Maker
Place of origin

Jane Clarke (1794-1859) was born in London into a family of merchants that specialized in luxurious goods ranging from fine art to wine. Clarke would continue the family practice of selling fashionable goods and in 1840 she had a shop located at 154 Regent Street where she sold lace and silk, textiles that were often used for dress and furnishing at the time. Located in the West End of London, Clarke's shop became well frequented, and her business would expand to include a shop in Manchester and Liverpool. Clarke’s business would also expand to include dressmaking. In the 1851 London census, Jane Clarke was listed at 170 Regent Street as a ‘Lace Dealer and Dressmaker’. She had a staff of thirty-one including eight workroom and shop assistants as well as fifteen milliners. For most of the nineteenth century, ‘milliner’ was used to describe a designer and maker of women’s dresses, rather than referring to hatmakers. One of these milliners was Elise Jaeger (1836-1913) who Clarke would sell her shop to in 1859. Elise would continue to operate at the Regent Street address as a court appointed dressmaker under the label ‘Madame Elise’. Clark passed away in 1859, soon after she transferred her business to Elise. After her death it was rumored that Clarke was so fond of lace that she had requested to be buried with it.

For more information on Jane Clarke see Jean Hemingway, ‘Millinery and Old Lace: Miss Jane Clarke of Regent Street,’ Textile History, 43:2, (2010), p. 200-222.


Object details

Categories
Object type
Materials and techniques
Brocaded and enamelled silk, gold thread, silver strip, tabby
Brief description
Loom-end section of brocaded and enamelled silk, woven for milliner Jane Clarke, in Spitalfields, Essex or Suffolk ca. 1851
Physical description
Sample of brocaded and enamelled silk. With a white ground woven in tabby and covered with gold baskets filled with green enamel shamrocks enriched with a textured silver strip. The gold thread is brocaded and the green silk and silver strip are pattern wefts. There is no complete repeat in the length of the design. The top three inches of the silk are without a design.
Dimensions
  • Height: 13.25in
  • Width: 18.5in (maximum)
  • Repeat width: 9.5in
Marks and inscriptions
'Jane Clarke / 154, Regent Street. / & 79, Bold Street / Liverpool.' (Woven inscription)
Object history
Exhibited by Jane Clarke as designer and manufacturer but probably designed and manufactured exclusively for her.
Subjects depicted
Summary
Jane Clarke (1794-1859) was born in London into a family of merchants that specialized in luxurious goods ranging from fine art to wine. Clarke would continue the family practice of selling fashionable goods and in 1840 she had a shop located at 154 Regent Street where she sold lace and silk, textiles that were often used for dress and furnishing at the time. Located in the West End of London, Clarke's shop became well frequented, and her business would expand to include a shop in Manchester and Liverpool. Clarke’s business would also expand to include dressmaking. In the 1851 London census, Jane Clarke was listed at 170 Regent Street as a ‘Lace Dealer and Dressmaker’. She had a staff of thirty-one including eight workroom and shop assistants as well as fifteen milliners. For most of the nineteenth century, ‘milliner’ was used to describe a designer and maker of women’s dresses, rather than referring to hatmakers. One of these milliners was Elise Jaeger (1836-1913) who Clarke would sell her shop to in 1859. Elise would continue to operate at the Regent Street address as a court appointed dressmaker under the label ‘Madame Elise’. Clark passed away in 1859, soon after she transferred her business to Elise. After her death it was rumored that Clarke was so fond of lace that she had requested to be buried with it.

For more information on Jane Clarke see Jean Hemingway, ‘Millinery and Old Lace: Miss Jane Clarke of Regent Street,’ Textile History, 43:2, (2010), p. 200-222.
Bibliographic reference
Baker, Malcolm, and Brenda Richardson (eds.), A Grand Design: The Art of the Victoria and Albert Museum, London: V&A Publications, 1999.
Other number
AP.320:5 - Previous number
Collection
Accession number
T.31-1959

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Record createdNovember 27, 2003
Record URL
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