Tile thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Islamic Middle East, Room 42, The Jameel Gallery

Tile

ca. 1266 (made)
Artist/Maker
Place of origin

This tile was originally part of a tomb-marker that covered the grave of an important person. The design on such tiles commonly included an arch, as here. The motif recalled the mihrab niche in a mosque that indicated the position of the Ka’bah shrine in Mecca. It indicated that the deceased had been buried in accordance with Islamic law in alignment with the Ka’bah.

The inscription in lustre along the profile of the arch is the first surah (chapter) of the Qur’an, called ‘al-Fatihah’ (‘The Opening’). The text in blue below is from the second surah (verse 285). It begins, ‘The Messenger believes what has been sent down to him from his Lord, as do the faithful. They all believe in God, His angels, His scriptures, and His messengers.’


Object details

Categories
Object type
Materials and techniques
Moulded fritware, painted with cobalt blue under a transparent glaze, with lustre over the glaze
Brief description
Tile with a pointed arch from a tomb-marker, Iran (probably Kashan), dated 665 AH/1266 AD.
Physical description
Tile with lobed arch, containing inscriptions in Arabic, the upper corners filled with moulded plant scrolls. This tile may have formed the upper part of a mihrab, and the niche-shape of its design copies the usual form of mihrabs. Since it is flat, it may have been in a secondary position in the shrine which it originally occupied. The inscription in blue under the arch is a quotation from the Qur'an, which stresses the need for Muslims to believe in the divine revelation.
Dimensions
  • Height: 52cm
  • Width: 57cm
  • Weight: 25.5kg
Styles
Marks and inscriptions
  • Qur'an 2:285 (Arabic; large text surrounded by pointed arch)
    Translation
    The Messenger believeth in what hath been revealed to him from his Lord, as do the men of faith. Each one (of them) believeth in Allah, His angels, His books, and His Messengers. "We make no distinction (they say) between one and another of His Messengers." And they say...
  • al-Fatihah (opening chapter of the Qur'an) (Arabic; written on the pointed arch surrounding the larger inscription)
Gallery label
  • Jameel Gallery Tile from a Tomb-marker Iran, probably Kashan About 1300 The inscription in lustre along the profile of the arch is the first surah, or chapter, of the Qur'an, called al-Fatihah (The Opening). The text in blue below is from the second surah (verse 285). It begins, 'The Messenger believes what has been sent down to him from his Lord, as do the faithful. They all believe in God, His angels, His scriptures, and His messengers.' Moulded fritware with colour in and lustre over the glaze Museum no. 469-1888(Jameel Gallery)
  • PART OF A TILE-WORK PRAYER-NICHE Earthenware painted in lustre and blue. PERSIAN (KASHAN); dated 665 A.H./1226 A.D.(Old label)
Object history
Throughout the nineteenth century works of art from tombs and other religious buildings were removed and traded on the art market in Iran. Lustre tilework was regarded as of exceptional quality and was particularly attractive to dealers and collectors. As a result, a good deal of it has ended up in museums in Iran and abroad.

Robert Murdoch Smith bought this tile for the South Kensington Museum (now the V&A) in Tehran in 1888, more than ten years after he had begun such acquisitions. In 1875 he had paid £50 for the three tiles that make up 1821 to B-1876, which was a relatively high price at the time, but for this single tile he paid £75, showing how prices had increased. The vendor was a private collector called Jules Richard, who was employed at the court of Nasir al-Din Shah. Richard had been active as a collector for over 40 years and had displayed many of his acquisitions in his Tehran home. The tombs of descendants of the Prophet, and even sites that descendants of the Prophet were thought to have visited, were refurbished in a grand manner after the Mongol occupation of Iran in the 1250s, but they usually had only local significance in later centuries. Their consequent poverty may explain why the tiles were sold off.
Summary
This tile was originally part of a tomb-marker that covered the grave of an important person. The design on such tiles commonly included an arch, as here. The motif recalled the mihrab niche in a mosque that indicated the position of the Ka’bah shrine in Mecca. It indicated that the deceased had been buried in accordance with Islamic law in alignment with the Ka’bah.

The inscription in lustre along the profile of the arch is the first surah (chapter) of the Qur’an, called ‘al-Fatihah’ (‘The Opening’). The text in blue below is from the second surah (verse 285). It begins, ‘The Messenger believes what has been sent down to him from his Lord, as do the faithful. They all believe in God, His angels, His scriptures, and His messengers.’
Bibliographic references
  • Watson, Oliver. Persian Lustre Ware. London: Faber and Faber, 1985, plate 111 and pp. 134, 191.
  • Pope, Arthur Upham, Masterpieces of Persian Art, New York, 1945, plate 81.
Collection
Accession number
469-1888

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Record createdNovember 19, 2003
Record URL
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