Bowl thumbnail 1
Bowl thumbnail 2
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Bowl

1200-1220 (made)
Artist/Maker
Place of origin

This bowl is made of fritware. Fritware, also called stone paste and quartz paste, was developed by Middle Eastern potters as a response to the challenge posed by Chinese porcelain. In the 12th and early 13th centuries, potters in Kashan and other centres in Iran used fritware to produce fine ceramics decorated in an astonishing range of styles.

During this period, Kashan potters experimented with painting designs under the glaze. They used black, which remained stable during firing, under a clear or tinted glaze. Here, the potter has used it on the bowl's exterior and interior to create a design like flowing reeds.

Object details

Categories
Object type
Materials and techniques
Fritware, painted under the glaze
Brief description
Bowl painted under the glaze with reed design, Iran (probably Kashan), 1200-1220.
Physical description
Fritware painted under the glaze in black with a design of flowing reeds.
Dimensions
  • Diameter: 19.6cm
  • Height: 10.9cm
Style
Gallery label
(2006)
Jameel Gallery

5–6 Footed Bowls
Iran, probably Kashan
1200–20

Kashan potters experimented with painting designs under the glaze. The designs on these two bowls, and on the cock’s-head ewer to the left, are in black under a clear or tinted glaze. Black was used because it did not run during firing.

Fritware painted under the glaze

Museum nos. C.61-1953; C.721-1909
(Old gallery label)
BOWL
White earthenware painted in underglaze black and blue.
PERSIAN (KASHAN); early 13th century.
Given by Mr. Vernon Wethered.
Credit line
Given by Mr Vernon Wethered
Subject depicted
Summary
This bowl is made of fritware. Fritware, also called stone paste and quartz paste, was developed by Middle Eastern potters as a response to the challenge posed by Chinese porcelain. In the 12th and early 13th centuries, potters in Kashan and other centres in Iran used fritware to produce fine ceramics decorated in an astonishing range of styles.

During this period, Kashan potters experimented with painting designs under the glaze. They used black, which remained stable during firing, under a clear or tinted glaze. Here, the potter has used it on the bowl's exterior and interior to create a design like flowing reeds.
Bibliographic reference
Lane, Arthur. Early Islamic Pottery. London: Faber and Faber, 1947. 52p., ill. p. 45, plate 86
Collection
Accession number
C.721-1909

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Record createdNovember 18, 2003
Record URL
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