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Evening Dress

ca. 1932 (made)
Artist/Maker
Place of origin

This long, sleeveless evening dress is made of saxe-blue silk, completely covered with small matching sequins. It has a wide V-neck in the front, which dips to the waist at the back. A large bow of matching material is applied to the front bust, and another below the waist at the back. The skirt is gored to flare from the knees in front and from the waist at the back.

During the first half of the 1930s, evening dresses were designed to wrap women in luxurious, body-hugging sheaths, replacing the short, flat square gowns of the 1920s. Evening gowns were mostly sleeveless, often displaying a bare back or a low neckline and inevitably touching the floor. White or pastel colours, fashionable in the 1920s and early 1930s, soon gave way to stronger, more acidic colours.

After championing the modern, sporty and androgynous woman of the 1920s, Chanel successfully ventured into a luxurious and more feminine fashion in the 1930s.

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read Gabrielle Chanel: dressing the modern woman Gabrielle Chanel (1883 – 1971) grew up during a period of strict dressing conventions where silhouette was prioritised over comfort. Women's fashion involved shape-altering, restrictive undergarments such as corsets and bustles, under outfits which were sometimes accompanied by incredibly ...

Object details

Categories
Object type
Materials and techniques
Silk tulle, sequins, machine-sewn and hand-sewn, embroidered
Brief description
Long and sleeveless evening dress made of silk tulle and sequins, designed by Chanel, Paris, ca. 1932
Physical description
Long and sleeveless evening dress made of saxe blue silk tulle, and covered with small matching sequins. It has a wide 'V' neck in the front, which dips to the waist at the back. A large bow of matching material is applied to the front bust, and another below the waist at the back. The skirt is gored to flare from the knees in the front and from the waist at the back. Machine-sewn and hand-sewn.
Dimensions
  • Bust circumference: 33in
  • Hips circumference: 34in
  • Shoulder to hem length: 63in
Style
Production typeHaute couture
Gallery label
[Gabrielle Chanel. Fashion Manifesto exhibition, September 2023 - March 2024] DRESS This simple dress cut to flare below the knee is transformed by being decorated all over with sequins. The dress belonged to Loelia, Duchess of Westminster, who became the third wife of the Duke towards the end of his long affair with Chanel. As might be expected, Loelia and Chanel did not become close friends. However, as a lover of elegant clothes, the young Duchess was not averse to ordering garments from the celebrated couturier. About 1932 Silk tulle and sequins V&A: T.339-1960 Given by Loelia, Duchess of Westminster(16/09/2023)
Credit line
Given by Loelia, Duchess of Westminster
Object history
Worn and given by Loelia, Duchess of Westminster
Summary
This long, sleeveless evening dress is made of saxe-blue silk, completely covered with small matching sequins. It has a wide V-neck in the front, which dips to the waist at the back. A large bow of matching material is applied to the front bust, and another below the waist at the back. The skirt is gored to flare from the knees in front and from the waist at the back.

During the first half of the 1930s, evening dresses were designed to wrap women in luxurious, body-hugging sheaths, replacing the short, flat square gowns of the 1920s. Evening gowns were mostly sleeveless, often displaying a bare back or a low neckline and inevitably touching the floor. White or pastel colours, fashionable in the 1920s and early 1930s, soon gave way to stronger, more acidic colours.

After championing the modern, sporty and androgynous woman of the 1920s, Chanel successfully ventured into a luxurious and more feminine fashion in the 1930s.
Bibliographic reference
Cullen, Oriole and Karol Burks, Connie. "Gabrielle Chanel". London: V&A Publishing, 2023 p 155 This dress elegantly balances a paired-back silhouette with lavish decoration. The simple sheath, with gored skirt cut to fl are below the knee, is transformed by the all-over sequin embellishment. It is further enhanced by two trompe-l’oeil sequin bows cleverly incorporated into the fl at surface, one across the bust and the other at the back of the dress, suggestively set across the bottom. In August 1934 The Times commented on Chanel’s evening dresses, which had ‘full backs with bows set low behind’. The dress was worn by the Hon. Loelia, Duchess of Westminster. Born Loelia Ponsonby, she was one of the ‘Bright Young Things’, a young aristocratic circle who frequently featured in the newspapers of 1920s London for their parties and misbehaviour. Loelia Ponsonby married the Duke of Westminster in 1930, becoming his third wife right in the middle of his decade-long affair with Chanel. As might be expected, Loelia and Chanel were never close friends. However, as a lover of elegant and fashionable clothes, the Duchess was not averse to ordering garments from the celebrated couturière.
Collection
Accession number
T.339-1960

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Record createdNovember 13, 2003
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