Not currently on display at the V&A

Coat

summer 1929 (made)
Artist/Maker
Place of origin

This knee-length afternoon coat, designed by Jeanne Lanvin, is made of black silk chiffon, to which squares of black wool crepe have been applied arranged in a radial pattern from the yoke, increasing in size towards the hem. The binding cuffs and double band collar are of the same material. The coat is cut with a slight flare from shoulder to hem and there is no fastening. The sleeves are long, slightly full and tapering to the wrist.

This coat is a significant example of the meeting between fashion and modernity: the geometrical forms, assembled according to the 'collage' technique, refer to the strong influence of abstract art on fashion during the 1920s. Black became an increasingly fashionable colour for elegant evening wear and was popularised by Coco Chanel in the mid-1920s.


Object details

Categories
Object type
Materials and techniques
Black crêpe and silk chiffon
Brief description
Knee-length afternoon coat of black silk chiffon
Physical description
Knee-length afternoon coat of black silk chiffon to which are applied squares of black wool crepe ararnged in a radial pattern from the yoke, and getting larger towards the hem. The binding cuffs and double band collar are of the same material. The coat is cut with a slight flare from shoulder to hem and there is no fastening. The sleeves are long slightly full and tapering to the wrist.
Dimensions
  • Length: 113cm
  • Shoulders width: 42cm
  • Bottom width: 64cm (closed)
Production typeHaute couture
Marks and inscriptions
  • 'Jeanne Lanvin Paris is made in France' (1) Makers's mark; English)
  • Eté 1929 (1) Makers's mark; French; stitched to the inside seam)
  • '20985' (Written on the back of the label in pencil.)
Credit line
Given by Mrs I. Godlewska de Aranda
Object history
Registered File number 1963/88
Summary
This knee-length afternoon coat, designed by Jeanne Lanvin, is made of black silk chiffon, to which squares of black wool crepe have been applied arranged in a radial pattern from the yoke, increasing in size towards the hem. The binding cuffs and double band collar are of the same material. The coat is cut with a slight flare from shoulder to hem and there is no fastening. The sleeves are long, slightly full and tapering to the wrist.

This coat is a significant example of the meeting between fashion and modernity: the geometrical forms, assembled according to the 'collage' technique, refer to the strong influence of abstract art on fashion during the 1920s. Black became an increasingly fashionable colour for elegant evening wear and was popularised by Coco Chanel in the mid-1920s.
Collection
Accession number
T.29-1963

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Record createdNovember 13, 2003
Record URL
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