Capital thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
British Galleries, Room 122

Capital

1483-1490 (made)
Artist/Maker
Place of origin

This console, with acanthus leaves and other Renaissance decoration, came from a fort on the Adriatic coast. The fort was commissioned by Giovanni della Rovere, Lord of Senigallia and nephew of Pope Sixtus IV.A corbel rather than a capital, the object would have been set in to the wall at the point where the vault of the ceiling meets the wall providing an aesthetic termination rather than any significant architectural support.


Object details

Categories
Object type
Materials and techniques
Istrian stone
Brief description
Capital, Istrian stone, from the Rocca Roveresca di Mondolfo near Sinigallia in the Marches, central Italy, about 1483-1490
Physical description
Pilaster capital of Istrian stone. Carved with a tapered bracket, from which rise two acanthus leaves with, between them, a vase. Volutes in the form of the tails of two dolphins, who face inwards. At the top a concave moulding with, in the centre, a sunflower.
Dimensions
  • Height: 46cm
  • Width: 35.8cm
  • Depth: 23cm
Measure for the Medieval and Renaissance Galleries
Gallery label
British Galleries: By the 1880s the Museum had started to build up a systematic collection of Medieval and Renaissance sculpture and ornament such as this carved capital. Students and designers often made use of these collections. We know, for example, that the designer E.W. Godwin (1833-1888) sketched this capital in 1879.(27/03/2003)
Object history
Possibly designed by Francesco di Giorgio Martini (born in Siena, Italy, 1439, died there in 1501) and made in Urbino, Italy

From Rocca Roveresca di Mondolfo near Singallia in the Marches (central Italy)
Summary
This console, with acanthus leaves and other Renaissance decoration, came from a fort on the Adriatic coast. The fort was commissioned by Giovanni della Rovere, Lord of Senigallia and nephew of Pope Sixtus IV.A corbel rather than a capital, the object would have been set in to the wall at the point where the vault of the ceiling meets the wall providing an aesthetic termination rather than any significant architectural support.
Bibliographic references
  • Baker, Malcolm, and Brenda Richardson (eds.), A Grand Design: The Art of the Victoria and Albert Museum, London: V&A Publications, 1999.
  • List of Objects in the Art Division, South Kensington Museum acquired in the Year 1878. London, 1879, p. 35
  • Pope-Hennessy, John. Catalogue of Italian Sculpture in the Victoria and Albert Museum. London, Her Majesty's Stationary Office, 1964, pp. 305
  • Raggio, Olga. 'Catalogue of Italian Sculpture in the Victoria and Albert Museum' Art Bulletin vol.L, 1968.
  • Adams, Nicholas and Krasinski, Jennifer. 'La rocca roveresca di Mondolfo' in Fiore and Tafuri ed. Francesco di Giorgio architetto. Milan: Electa, 1993.
Collection
Accession number
368O-1878

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Record createdNovember 6, 2003
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