Jar thumbnail 1
Jar thumbnail 2
Image of Gallery in South Kensington
On display at V&A South Kensington
Islamic Middle East, Room 42, The Jameel Gallery

Jar

14th century (made)
Artist/Maker
Place of origin

This jar is among the last lustre ceramics made in Syria. During the period 1300-1400, lustre production became concentrated in Spain, and large amounts of blue-and-white porcelain were shipped from China. Caught between the two, Syrian lustre production ceased.

The technique of lustre decoration on ceramics was first developed in Iraq in the 9th century. A glazed vessel or tile with little or no decoration was made in the normal way. When the piece had cooled, a design was painted over the glaze in metallic compounds. The pot or tile was then fired again, this time with a restricted supply of oxygen. In these conditions, the metallic compounds broke down, and a thin deposit of copper or silver was left on the surface of the glaze. When polished, this surface layer reflected the light.

Lustre continued to be made for many centuries, but the centre of production moved to Egypt and then to Syria and Iran.


Object details

Categories
Object type
Materials and techniques
Fritware with opaque cobalt-blue glaze and lustre-painted decoration
Brief description
Blue jar with lustre decoration of flying cranes, Syria (probably Damascus), 1300-1400.
Physical description
Fritware jar with lustre painting of flying cranes over a blue glaze.
Dimensions
  • Height: 39cm
  • Diameter: 28.3cm
Styles
Gallery label
Jameel Gallery Blue Jar with Flying Cranes Syria, probably Damascus 1300-1400 This jar is among the last lustre ceramics made in Syria. During the 14th century, lustre production became concentrated in Spain, and large amounts of blue-and-white porcelain were shipped from China. Caught between the two, Syrian lustre production ceased. Fritware with lustre over the blue glaze Museum no. 1601-1888(Jameel Gallery)
Subject depicted
Summary
This jar is among the last lustre ceramics made in Syria. During the period 1300-1400, lustre production became concentrated in Spain, and large amounts of blue-and-white porcelain were shipped from China. Caught between the two, Syrian lustre production ceased.

The technique of lustre decoration on ceramics was first developed in Iraq in the 9th century. A glazed vessel or tile with little or no decoration was made in the normal way. When the piece had cooled, a design was painted over the glaze in metallic compounds. The pot or tile was then fired again, this time with a restricted supply of oxygen. In these conditions, the metallic compounds broke down, and a thin deposit of copper or silver was left on the surface of the glaze. When polished, this surface layer reflected the light.

Lustre continued to be made for many centuries, but the centre of production moved to Egypt and then to Syria and Iran.
Bibliographic references
  • Atil, Esin, Renaissance of Islam: Art of the Mamluks, Washington, D.C.: Smithsonian Institution Press, 1981. Catalogue of the Exhibition at the National Museum of Natural History and other museums. 286 p, ill. ISBN0-87474-213-7. Catalogue entry 84, p175
  • Catalogue of the Special Exhibition of Works of Art of the Medieval, Renaissance and More Recent Periods on Loan at the South Kensington Museum. June 1862 Revised edition ed. By Robinson, J., C., London: G.E. Eyre and W. Spottiswoode, 1863, Catalogue n. 7900
  • Wallis, Henry, Notes on Some Examples of Early Persian Lustre Vases. No. 3 London: W. Griggs,1889. Plate 8 and fig. 15
  • Migeon, Gaston. Manuel d'art musulman. 2 vols. Paris: Alphonse Picard et Fils,1907. Vol. 2, p.277 and fig. 228
  • Migeon, Gaston. Manuel d'art musulman. 2 vols. Paris: Alphonse Picard,1927. Vol.2, pp. 212-13 and fig. 364
  • Tim Stanley (ed.), with Mariam Rosser-Owen and Stephen Vernoit, Palace and Mosque: Islamic Art from the Middle East, London, V&A Publications, 2004 p.122
Collection
Accession number
1601-1888

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Record createdOctober 24, 2003
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