Not currently on display at the V&A

Huqqa base

Huqqa Base
ca. 1850 (made)
Artist/Maker
Place of origin

This huqqa base belongs to a class of metalwares known as 'bidri'. The name derives from the city of Bidar, in present-day Karnataka state, where the technique is supposed to have originated under the Bahmani sultans in the 15th century. Bidri wares are cast from zinc alloy inlaid with silver, as here, or, occasionally, with a golden alloy that contains a high proportion of tin. The characteristic feature of bidri is the black surface that contrasts with the inlaid decoration. The blackening is produced by the temporary application of a mud paste after the inlaying has been completed, which transforms the dull grey of the zinc alloy through a chemical process that has yet to be explained.
This piece was bought by the museum for £2.10s from the 1851 Great Exhibition as 'modern'. Its silver motifs were reproduced in Owen Jones' seminal book The Grammar of Ornament as an example of good Indian design.


Object details

Object type
TitleHuqqa base (generic title)
Materials and techniques
Blackened zinc alloy overlaid with silver (bidri)
Brief description
Bell-shaped huqqa base with silver inlay, bidri, Purnea, c. 1850
Physical description
The huqqa base is inlaid with silver and is bell-shaped with a narrow cylindrical neck. The shape and some of the border motifs follow contemporary Bidar huqqas with minor modifications - the ring-moulding , for example, has disappeared and there is an inlay of broad and narrow horizontal lines rather than the usual chevron motif.
Dimensions
  • Height: 21.9cm
  • Diameter: 23.5cm
Object history
Exhibited at the Great Exhibition of 1851
Production
Purnea is the district town of Purnea, Bihar in present day India. Bought from the Great Exhibition of 1851.
Summary
This huqqa base belongs to a class of metalwares known as 'bidri'. The name derives from the city of Bidar, in present-day Karnataka state, where the technique is supposed to have originated under the Bahmani sultans in the 15th century. Bidri wares are cast from zinc alloy inlaid with silver, as here, or, occasionally, with a golden alloy that contains a high proportion of tin. The characteristic feature of bidri is the black surface that contrasts with the inlaid decoration. The blackening is produced by the temporary application of a mud paste after the inlaying has been completed, which transforms the dull grey of the zinc alloy through a chemical process that has yet to be explained.
This piece was bought by the museum for £2.10s from the 1851 Great Exhibition as 'modern'. Its silver motifs were reproduced in Owen Jones' seminal book The Grammar of Ornament as an example of good Indian design.
Bibliographic references
  • Darby, Michael, The Islamic Perspective, 1983. Exhibition catalogue, 143p., ill. Catalogue n. 93, p106 ISBN 0 905035313 Stronge, Susan, Bidri Ware Inlaid Metalwork from India, London: Victoria & Albert Museum 1985, no.63, pp.77-78 ISBN 0 905209 63 X
  • Arts of Bengal : the heritage of Bangladesh and eastern India : an exhibition organized by the Whitechapel Art Gallery in collaboration with the Victoria and Albert Museum : 9 November-30 December 1979, Whitechapel Art Gallery ..., 12 January-17 February 1980, Manchester City Art Gallery ... . [London]: Whitechapel Art Gallery, [1979] Number: 085488047X (pbk.) : p.72
Collection
Accession number
135-1852

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdOctober 24, 2003
Record URL
Download as: JSONIIIF Manifest