On display
Image of Gallery in South Kensington

Huqqa Base

ca. 1850 (made)
Artist/Maker
Place of origin

This base for a water pipe is known as a "huqqa" in India, and was often called "hubble bubble" in English. It was acquired from the Great Exhibition of 1851, where the richness and variety of Indian decorative arts was appreciated for the first time in the West. It is made from a technique known as "bidri" which takes its name from the city of Bidar, in the Deccan region of India. Bidri artefacts are made from a zinc alloy which is blackened and, typically, inlaid with silver. Bidri wares were immensely popular at the international exhibitions of the second half of the 19th century, and motifs from objects such as this water pipe were reproduced in Owen Jones's influential book, The Grammar of Ornament. The exhibitions stimulated demand considerably and caused new centres of production to spring up in the Indian subcontinent, but this led to repetitious designs and inferior quality as the craftsmen struggled to keep up with their markets.

Object details

Categories
Object type
Materials and techniques
Blackened zinc alloy inlaid with silver
Brief description
Domestic, bidri, Bidar, c1851
Dimensions
  • Height: 22.6cm
  • Diameter: 12.4cm
Summary
This base for a water pipe is known as a "huqqa" in India, and was often called "hubble bubble" in English. It was acquired from the Great Exhibition of 1851, where the richness and variety of Indian decorative arts was appreciated for the first time in the West. It is made from a technique known as "bidri" which takes its name from the city of Bidar, in the Deccan region of India. Bidri artefacts are made from a zinc alloy which is blackened and, typically, inlaid with silver. Bidri wares were immensely popular at the international exhibitions of the second half of the 19th century, and motifs from objects such as this water pipe were reproduced in Owen Jones's influential book, The Grammar of Ornament. The exhibitions stimulated demand considerably and caused new centres of production to spring up in the Indian subcontinent, but this led to repetitious designs and inferior quality as the craftsmen struggled to keep up with their markets.
Bibliographic references
  • Darby, Michael, The Islamic Perspective, 1983. Exhibition catalogue, 143p., ill. ISBN 0 905035313 Catalogue n. 94, p106
  • Susan Stronge, Bidri ware. Inlaid metalwork from India, Victoria and Albert Museum, 1985, cat. 27, p. 61
Collection
Accession number
139-1852

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Record createdOctober 24, 2003
Record URL
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