Please complete the form to email this item.

Panel - St John the Evangelist

St John the Evangelist

  • Object:

    Panel

  • Place of origin:

    England, Great Britain (made)

  • Date:

    1440-1460 (made)

  • Artist/Maker:

    Unknown (production)

  • Materials and Techniques:

    Carved, painted and gilt alabaster

  • Credit Line:

    Given by The Art Fund

  • Museum number:

    A.151-1922

  • Gallery location:

    Sculpture, room 111, case 7

  • Download image

This Apostle probably comes from the upper part of a rood-screen and is one of twelve panels held in the Museum said to have come from a church in the town or province of Zamora, Spain (inv.nos. A.148 to 159-1922). The Apostles would have stood in a line just below the rood (a large figure of the crucified Christ). Each figure is identified by the inscription on his scroll and by a specific attribute, or symbol. Here st John the Evangelist carries the palm given to him by the Virgin Mary to carry before her funeral bier.

There are two sorts of alabaster. Calcite alabaster is very hard and was used in ancient times. This object is made of gypsum alabaster which is a fine-grained, soft and smooth stone. Although at first glance it looks a little like marble, which it was intended to imitate, it was much easier to carve due to its softness, and alabaster objects were therefore significantly cheaper to produce. Marble does not originate in England, so it was imported if needed, whereas in the 15th century there were important alabaster quarries in Nottingham, York, Burton-on-Trent and London. England was a major centre for the production of objects such as this one. During period, they were exported in very large numbers to Europe where they survive, unlike many examples which remained in England and were destroyed or greatly damaged during the Reformation.

Physical description

The panel has a plain border on each vertical side, and a base showing three facets in front. The haloed figure of St John the Evangelist, with a beard and wearing a gown and a cloak.

Place of Origin

England, Great Britain (made)

Date

1440-1460 (made)

Artist/maker

Unknown (production)

Materials and Techniques

Carved, painted and gilt alabaster

Dimensions

Height: 44.5 cm, Width: 14.8 cm

Object history note

From a church either in the town of Zamora in Spain or in the province of Zamora. One of the 12 panels of the Apostles' Creed Altarpiece. Latterly in the possession of G. Thomas. Gift of the National Art Collections Fund in 1922.

Descriptive line

Alabaster panel depicting St James the Greater, English, 1440-1460

Bibliographic References (Citation, Note/Abstract, NAL no)

Cheetham, Francis. English Medieval Alabasters. Oxford: Phaidon-Christie's Limited, 1984. p. 126 (cat. 55), ill. ISBN 0-7148-8014-0
Bedford, R. P. An English set of the twelve apostles in alabaster. Burlington Magazine. XLII., 1923. p. 130.

Exhibition History

Gothic: Art for England 1400-1547 (Victoria and Albert Museum 09/10/2003-18/01/2004)

Labels and date

Gothic
The Twelve Apostles
About 1450

The Apostles probably come from the upper part of a rood-screen. They would have stood in a line just below the rood (a large figure of the crucified Christ). Each figure is identified by the inscription on his scroll and by a specific attribute, or symbol.

Alabaster, with substantial traces of painting and gilding.

V&A: A.148 to 159-1922. Gift of the National Art Collections Fund
Cat. 267 [2003]

Materials

Paint; Gilt; Alabaster

Techniques

Painting; Carving; Gilding

Subjects depicted

Scroll; Cloak; Halo; St. John the Evangelist

Categories

Sculpture; Religion; Christianity

Collection code

SCP

Download image
Qr_O84683
Ajax-loader